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   "value": "Manchester Museum"
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   "value": "11630 (20638)"
  },
  {
   "label": "Subject(s)",
   "value": "Museums--England; Museum objects; Antiquities; Classical antiquities; Egypt--Antiquities, Roman; Egypt--Antiquities; Egyptology; Art, Greco-Roman; Art, Egyptian--Exhibitions"
  },
  {
   "label": "Abstract",
   "value": "<p style='text-align: justify;'>Mummified body of a woman called Isaious. The name of the lady is written in Greek at the top of the cartonnage mask and was previously interpreted as Demetria. A more recent reading has instead suggested: \u2018Isaious (or Isarous) daughter of Demetrios\u2019 (Ἰσαι̣οῦς Δημη[τρίου]). The face and upper part of the head of the mask were found damaged upon discovery and have been restored in the early Twentieth Century by staff at Manchester Museum.<\/p><p style='text-align: justify;'><\/p><p style='text-align: justify;'>The gilded mask shows the deceased with a Roman hairstyle and jewellery, but is surrounded on its back, sides and lower sections with pharaonic motifs. The unusually well-preserved outer shroud carries scenes of Egyptian gods and hieroglyphs. These include standard elements: the broad floral collar; the scene of the mummified body of a lion headed bed, tended by the jackal-headed deity Anubis (note that the canopic jars depicted beneath the bed are a complete fiction at this period, the practice of including them having died out centuries before); and finally a scene of ritual purification, where the deceased (shown in standard pharaonic style for an elite woman) is shown between the gods Thoth and Horus \u2013 a common motif for the Pharaoh on Graeco-Roman temples.<\/p><p style='text-align: justify;'>The cartonnage footcase shows the gilded toes, emerging from the wrappings \u2013 a sign of the divine status of the deceased. Underneath is a particularly well-preserved scene of two male figures, naked and bound \u2013 the enemies of the deceased being trampled.<\/p><p style='text-align: justify;'>This mixture of Greek, Roman and Egyptian features are typical of multicultural expectations of the afterlife in Graeco-Roman Period Egypt.<\/p><p style='text-align: justify;'>The body was CT-scanned at Manchester Children's Hospital on 31/1/13.<\/p>"
  },
  {
   "label": "Acquisition",
   "value": "Donation by British School of Archaeology in Egypt, 1910-1911"
  },
  {
   "label": "Title",
   "value": "Mummified body of a woman"
  },
  {
   "label": "Bibliography",
   "value": "<div style='list-style-type: disc;'><div style='display: list-item; margin-left: 20px;'><a target='_blank' class='externalLink uom-purple' href='https://search.worldcat.org/title/1356890313'>Manchester Museum (University of Manchester). Golden Mummies of Egypt: Interpreting Identities from the Graeco-Roman Period. Manchester University Press 2023<\/a><\/div><\/div><br />"
  },
  {
   "label": "Dimensions",
   "value": "width: 400mm."
  },
  {
   "label": "Material(s)",
   "value": "Human Remains, Linen, Plaster"
  },
  {
   "label": "Custodial History",
   "value": "<p>Featured in <i>Golden Mummies of Egypt<\/i> exhibition at the Manchester Museum, 18 February 2023-14 April 2024.<\/p>"
  },
  {
   "label": "Date of Creation",
   "value": ""
  },
  {
   "label": "Origin Place",
   "value": "Africa, Egypt, Faiyum, Hawara"
  },
  {
   "label": "Provenance",
   "value": ""
  }
 ],
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