{ "viewingDirection": "right-to-left", "metadata": [ { "label": "Note(s)", "value": "

According to Mendel Metzger, the real date of the scroll is the one in the longer colophon: 1618. He adds that \"a later owner had been misled in the reading of the date [of the longer colophon] and had, in all good faith, added what he, or family tradition, held to be the correct date, i.e. the 12th Adar 5271 (probably an allusion to the fact that Benjamin had acquired it on the Day of Purim, the 14th Adar.)\"<\/p>

The artist's family had immigrated from Germany to Italy one generation before Moshe ben Avraham, and some of its members were book printers. In scholarly literature, different spellings of the surname can be found; the most popular are Pescarol and Pescarolo. Other variants include: Pascarolo, Pascarol (\"פַּשְׂקַרוֹל\"), Piscarol, Pescarolo, Poscarel, Poscarela, Pescaroli, Pescaraolo. See M. Mortara, Indice alfabetico dei rabbini e scrittori Israeliti, Padova 1886, p. 49<\/p>

Two more of his scrolls are known. His scrolls are considered to be the oldest Esther scrolls with narrative scenes (see Budzioch, 2016).<\/p>" }, { "label": "Former Owner(s)", "value": "Enriqueta Rylands; Crawford, James Ludovic Lindsay, Earl of, 1847-1913" }, { "label": "Alternative Identifier(s)", "value": "Crawford MS 22" }, { "label": "Filiations", "value": "

Jerusalem, The National Library of Israel, Ms. Heb. 4˚197/89<\/a> (dated 1617, Ferrara)<\/div>
Tel Aviv, Gross Family Collection, Ms. 195<\/a> (undated)<\/div><\/div>" }, { "label": "Binding", "value": "

Black box casing, with bookplate reading: \"Endure Fort / Bibliotheca Lindesiana\", with shelfmark \"5 / C\" The scroll is attached to a wooden roller with broken wooden finial.<\/p>" }, { "label": "Decoration", "value": "

The text columns are framed by large borders, decorated by green scrolls bearing red flowers on the blank parchment with birds within the scrolls in the lower margins and symmetrical floral motifs in brush gold between two painted filets between the script columns. The upper part of the frame is divided into 29 panels, one above each text column, each of which encloses an illustration corresponding to the text beneath. Each illustrated panel is flanked by two rectangular panels with a vase or a naked female figure that stands on a half globe. The depicted figures in the illustrated panels wear European Renaissance-style garments. The decoration and the illustrations are outlined in brown ink and coloured in light transparent gouache. The technique is rather rudimentary. Some details in the scroll were painted with gold paint, but at present, many of them are rather brown.<\/p>

Scene above text column 1<\/a>: Ahasuerus with three of his chamberlains and a servant (Esther 1:2).
Scene above text column 2<\/a>: Ahasuerus gives a feast, guarded by fully armed soldiers (1:3).
Scene above text column 3<\/a>: Ahasuerus, two of his chamberlains and two guards. A little boy looks up to the guard.
Scene above text column 4<\/a>: Queen Vashti making a feast for the women of the royal house (1:9).
Scene above text column 5<\/a>: enthroned Ahasuerus and his seven chamberlains (1:10).
Scene above text column 6<\/a>: the seven chamberlains bring the invitation of the king to Vashti. She is attended by three ladies-in-waiting and possibly a eunuch (1:11).
Scene above text column 7<\/a>: Vashti is beheaded because of her refusal to obey the king\u2019s orders (Targum Sheni, 1:18-21). Two naked women on the right watch the process. A crowd stands in the back. The executioner stands at the left side of the corpse and wears a sabre. Two guards with halberds are standing at the right side of the corpse.
Scene above text column 8<\/a>: Esther is presented to the king and four chamberlains. Three ladies-in-waiting stand on the other side of the king. The king hands Esther a crown (2:16-17).
Scene above text column 9<\/a>: enthroned Ahasuerus promotes Haman (3:1). Haman wears a sabre and a turban. His garments appear more Oriental than the Renaissance garments that the other figures wear. On his right are two fully armed guards with spears.
Scene above text column 10<\/a>: Haman addressing Mordecai who refuses to bow (3:5). Haman is dressed in an Oriental style. On his right are three bowing figures. On his left Mordecai and another Jew standing upright. Mordecai wears a black robe.
Scene above text column 11<\/a>: Haman dictating the letters to be sent out to the kings scribes (3:12).
Scene above text column 12<\/a>: Two mourning Jews are tearing their clothes (4:1). Mordecai wears a black robe.
Scene above text column 13<\/a>: Esther grieving with her maids (4:3).
Scene above text column 14<\/a>: Hathach bringing the garment sent by Esther to Mordecai (4:4).
Scene above text column 15<\/a>: Hathach bringing to Esther a copy of the decree sent by Mordecai (4:8).
Scene above text column 16<\/a>: the Jews of Susa fasting and praying in the synagogue (4:16).
Scene above text column 17<\/a>: Esther kneeling before the enthroned Ahasuerus who is holding out his golden scepter to her (5:2). Next to the king stand two chamberlains, behind Esther her ladies-in-waiting.
Scene above text column 18<\/a>: Ahasuerus in bed while a chamberlain reads to him the book of records (6:1).
Scene above text column 19<\/a>: Haman, in Oriental garments, brings the royal horse and the crown to the king as he was ordered to do (6:10).
Scene above text column 20<\/a>: Mordecai upon the royal horse being led through the city by Haman (6:11). Haman looks to the ground out of anger and shame.
Scene above text column 21<\/a>: Haman telling his wife Zeresh and his household what has happened to him, Zeresh warning him against Mordecai (6:13). Zeresh is dressed in Oriental garments, like her husband. The other two depicted members of the household wear European Renaissance garments.
Scene above text column 22<\/a>: The kings chamberlains coming to bring Haman to Esther\u2019s banquet (6:14).
Scene above text column 23<\/a>: Ahasuerus, Esther and Haman at the queen\u2019s banquet (7:1), Esther accuses Haman (7:6).
Scene above text column 24<\/a>: Ahasuerus, having left the banquet, in the palace garden with his guards (7:7).
Scene above text column 25<\/a>: Haman kneeling before a sitting Esther, just as the king comes in with a chamberlain (7:8).
Scene above text column 26<\/a>: Haman hanged on the gallows, two guards in full armour stand next to him (7:10).
Scene above text column 27<\/a>: Haman's eleven sons hanging on the gallows (9:6-10).
Scene above text column 28<\/a>: Rejoicing Jews giving presents to each other (two mothers and two children).
Scene above text column 29<\/a>: Coat of arms with a rampant lion and a palm tree. It may be a family emblem, and the lion symbolising Judah, the tree Israel (see Metzger, 165).
<\/div>
" }, { "label": "Acquisition", "value": "Acquired by Enriqueta Rylands in 1901 from James Lindsay, 26th Earl of Crawford of Haigh Hall and later bequeathed to the The John Rylands Library." }, { "label": "Title", "value": "Esther scroll" }, { "label": "Layout", "value": "

29 columns of 13 written lines. Three columns per membrane, except for last which includes two columns. Hard point bordering. No ruling and no pricking visible. Original stitching.<\/p>" }, { "label": "Funding", "value": "" }, { "label": "Date of Creation", "value": "378 by the abbreviated count (=1618)" }, { "label": "Origin Place", "value": "Ferrara,Italy" }, { "label": "Origin", "value": "

Produced in Ferrara,Italy, in 378 by the abbreviated count (=1618).<\/p>" }, { "label": "Script", "value": "

Italian square script; with very high tagin, in brown-black ink.<\/div>
The colophon containing the name of the scribe is in Italian semi-cursive script.<\/div><\/div>" }, { "label": "Data Source(s)", "value": "Description based on Alexander Samely's unpublished draft catalogue, description of decorations by Gabrielle Sed-Rajna, revised and expanded by Stefania Silvestri, Nienke Valk, and Dagmara Budzioch.

Revised by Zsófia Buda.<\/p>" }, { "label": "Alternative Title(s)", "value": "Megilat Ester; מגילת אסתר" }, { "label": "Language(s)", "value": "Hebrew" }, { "label": "Physical Location", "value": "The John Rylands Library" }, { "label": "Extent", "value": "10 membranes, 29 columns Leaf height: 295-283 mm, width: of membranes 480 mm-300 mm; overall length: 4850 mm. Written height: 109 mm, width: 90 mm." }, { "label": "Additions", "value": "

Two parchment strips<\/a>, attached to handle at the end of the scroll. They both include the opening and closing blessings for the reading of the scroll in two columns, of which the left one is only partly visible. The approximate measures are: top strip 90x140; bottom strip 118x200.<\/p>" }, { "label": "Excerpts", "value": "

Colophon:<\/b> In panel<\/a> below the last column: \"על פי בגורל יצאה לחלק בני בנימין מקאסטיל / בולונייסו יום פורים משנת שי\"ן עי\"ן חי\"ת לפק / מידי היתה זאת צעיר וקט מעכשיו משה בן הגאון / כמהר\"ר אברהם פשקרול זלה\"ה נכתב פה פיראר׳ / יום הששי פרשת ומשה לא-ידע כי קרן עור פניו בדברו / אתו ה׳ יזכני להתחיל ולהשלים מגלות אחרות רבות\" \"Chance made it become the property of my son Benjamin, of Castelbolognese, on the Day of Purim 5378. By my hand it is, Moses, the young and humble in his works, son of the Gaon, the highly honoured Rabbi Abraham Pescarol [?], may he be remembered for the world to come; written here in Ferrara the sixth day [of the week] when the text is: And Moses knew not that the skin of his face shone, because he had spoken with him'. May God grant I begin and complete many other megilloth.\" (translation by M. Metzger, The John Rylands Megillah..., 170 - see \"Bibliography\").<\/div>
Colophon:<\/b> A second colophon is above the last text column around the coat of arms reading: \"תם ונשלם ביום י\"ב לחדש אשר שנת הרע\"א\"; \"Completed on the twelfth day of the month Adar, the year 5271.\" This is unlikely to be the date of production of the scroll, since the style of its illustrations corresponds to the 17th century.<\/div>" }, { "label": "Classmark", "value": "Hebrew MS 22" }, { "label": "Abstract", "value": "

Esther Scroll with painted illustrations, copied and illustrated by Mosheh ben Avraham Peshḳarol (Pescarolo) in Ferrara, 1618. It is considered to be one of the oldest Esther scrolls illustrated with narrative scenes.<\/p>" }, { "label": "Collection", "value": "Hebrew Manuscripts" }, { "label": "Bibliography", "value": "

Marco Mortara, Mazkeret ḥakhme Italya = Indice alfabetico dei rabbini e scrittori israeliti di cose giudaiche in Italia con richiami bibliografici e note illustrative (Padova: F. Sacchetto, 1886).<\/a><\/div><\/div>
Catalogue of an exhibition of Hebrew manuscripts and printed books: Together with other items of Jewish interest, Manchester: The John Rylands Library, 1958: 10-11.<\/a><\/div>
The Jewish heritage: Catalogue of an exhibition held in the John Rylands University Library of Manchester, January-April 1988: 4.<\/a><\/div>
Jacobs Joseph and Wolf Lucien, Catalogue of the Anglo-Jewish Historical Exhibition, Royal Albert Hall, London, 1987. London: F. Haes, 1888<\/a><\/div>
Metzger Mendel, \"The John Rylands Megillah and some other ilustrated Megilloth of the XVth to XVIIth centuries (With five plates)\", Bulletin of the John Rylands Library 45/1 (1962): 148-184.<\/a><\/div>
Roth Cecil, \"The John Rylands Haggadah\", Bulletin of the John Rylands Library 43 (1960-61): 131-159.<\/a><\/div>
Namenyi Ernest, \"The Illumination of Hebrew Manuscripts after the Invention of Printing\", in Jewish Art, an Illustrated History, ed. Cecil Roth (London: W.H.Allen, 1961), 423-454.<\/a><\/div>
Florence Mansano Soulam, בסוד מגילותיו של הסופר-המאייר משה בן אברהם פשקרול: ניתוח מגילות פשקרול בתוך הקונטקסט ההיסטורי של איטליה בראשית המאה השבע-עשרה [Unveiling the Secrets of the Scrolls of Moshe Pescarolo Scribe and Artist. An Analysis of Pescarolo\u2019s Scrolls in the Historical Context of Italy in the Early 17th Century], doctoral dissertation: Hebrew University of Jerusalem, 2006.<\/a><\/div>
Dagmara Budzioch, \"Italian Origins of the Decorated Scrolls of Esther,\" Kwartalnik Historii Żydów, no. 1 (2016): 35-49.<\/a><\/div>
Dagmara Budzioch, \"Midrashic Tales in Seventeenth and Eighteenth-century Illustrated Esther Scrolls,\" Kwartalnik Historii Żydów, no 3 (2017): 405\u2013422, esp. 408, 410, 411, 414, 415. <\/a><\/div>
Dagmara Budzioch, The Decorated Esther Scrolls from the Museum of the Jewish Historical Institute in Warsaw and the Tradition of Megillot Esther Decoration in the Seventeenth and Eighteenth Centuries \u2013 An Outline [Polish: Dekorowane zwoje Estery z Żydowskiego Instytutu Historycznego w Warszawie na tle tradycji dekorowania megilot Ester w XVII i XVIII wieku. Zarys problematyki], Warsaw 2019, 1:248-272. <\/a><\/div>
Rylands Library Esther Scroll with Roundels, The Bezalel Narkiss Index of Jewish Art, object no. 36155.<\/a><\/div>
Buda, Zsófia. \"And the Scroll of Esther unrolls\u2026\" <\/a> Rylands Blog, 14 March 2022.<\/div>
\"Pescarol Esther scroll\"<\/a>, The Many Faces of the Rylands' Hebrew Manuscripts, digital exhibition at the John Rylands Library, 2022.<\/div><\/div>
" }, { "label": "Format", "value": "Scroll" }, { "label": "Material(s)", "value": "Parchment" }, { "label": "Associated Person(s)", "value": "Peshḳarol, Mosheh ben Avraham, active 16th century-17th centuryמשה בן אברהם פשקרול" }, { "label": "Condition", "value": "

Poorly attached to wooden handle. Small tear on the first membrane.<\/p>" }, { "label": "Provenance", "value": "

Fabric tag attached with red thread to wooden handle, with number 155.<\/p>

Under column 8<\/a>, in the panel depicting a dog, erased inscription above the animal.<\/p>" }, { "label": "Date of Acquisition", "value": "1901" } ], "@type": "sc:Manifest", "attribution": "Provided by The University of Manchester.

Zooming image © University of Manchester Library, All rights reserved.<\/p> Images made available for download are licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License (CC BY-NC 3.0) This metadata is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.", "structures": [{ "canvases": [ "https://www.digitalcollections.manchester.ac.uk/iiif/MS-HEBREW-00022/canvas/1", "https://www.digitalcollections.manchester.ac.uk/iiif/MS-HEBREW-00022/canvas/2", "https://www.digitalcollections.manchester.ac.uk/iiif/MS-HEBREW-00022/canvas/3", "https://www.digitalcollections.manchester.ac.uk/iiif/MS-HEBREW-00022/canvas/4", "https://www.digitalcollections.manchester.ac.uk/iiif/MS-HEBREW-00022/canvas/5", "https://www.digitalcollections.manchester.ac.uk/iiif/MS-HEBREW-00022/canvas/6", "https://www.digitalcollections.manchester.ac.uk/iiif/MS-HEBREW-00022/canvas/7", "https://www.digitalcollections.manchester.ac.uk/iiif/MS-HEBREW-00022/canvas/8", "https://www.digitalcollections.manchester.ac.uk/iiif/MS-HEBREW-00022/canvas/9", "https://www.digitalcollections.manchester.ac.uk/iiif/MS-HEBREW-00022/canvas/10", "https://www.digitalcollections.manchester.ac.uk/iiif/MS-HEBREW-00022/canvas/11", "https://www.digitalcollections.manchester.ac.uk/iiif/MS-HEBREW-00022/canvas/12", "https://www.digitalcollections.manchester.ac.uk/iiif/MS-HEBREW-00022/canvas/13" ], "@type": "sc:Range", "@id": "https://www.digitalcollections.manchester.ac.uk/iiif/MS-HEBREW-00022/range/DOCUMENT", "label": "" }], "description": "

Esther Scroll with painted illustrations, copied and illustrated by Mosheh ben Avraham Peshḳarol (Pescarolo) in Ferrara, 1618. 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