{ "viewingDirection": "left-to-right", "metadata": [ { "label": "Former Owner(s)", "value": "Joan of Navarre, Queen, consort of Henry IV, King of England, 1370?-1437; Mainwaring, Henry, Sir, 1782-1860; Crossley, James, 1800-1883; Crawford, Alexander Crawford Lindsay, 1812-1880; Crawford, James Ludovic Lindsay, Earl of, 1847-1913; Rylands, Enriqueta, 1843-1908" }, { "label": "Binding", "value": "

Fifteenth-century binding of brown leather. The covers are decorated with a stamped panel design, featuring a principal motif of two crossed C-shaped elements in a cable pattern. The original clasps are no longer present. The spine<\/a> is divided into ten compartments with raised bands, and the third, fourth, and fifth compartments are gilt-lettered Psalterium | Anglo-Norman | Saec. XIII.<\/i>.<\/p>

Binding height: 273 mm, width: 190 mm. <\/p>" }, { "label": "Technique(s)", "value": "Handwriting; Illumination (image-making process)" }, { "label": "Decoration", "value": "

Miniatures<\/b><\/p>

Calendar<\/i><\/p>

Executed in great luxury, every line has been filled to its full length. The entries are written in four colours in regular succession, gold, blue, vermilion and green, alternating to form a whole that is as dazzling as it is harmonious.<\/p>

Eight 'KL' monograms are in gold on red and blue grounds.<\/p>

Sixteen miniatures of the labours of the months and the zodiac signs, two on the right margin of each page of the Kalendar, are in the form of round-shape medallions set in squares, alternately blue and pink; frames alternately vermilion and green; grounds gold.<\/p>

4r<\/a> March | Male figure, in close-fitting cap, holding pickaxe, breaking ground, tending vines - Aries | Ram.
4v<\/a> April | Female figure, holding two fleurs-de-lys - Taurus | Bull.
5r<\/a> May | Male figure, mounted on bridled horse, holding falcon on wrist, gesturing in speech - Gemini | Partially unclothed male twins, holding triangular red shield.
5v<\/a> June | Male figure, holding scythe, mowing grass - Cancer | Human-faced(?) crab, resembling lobster.
6r<\/a> July | Male figure, in conical hat, holding sickle, harvesting grain - Leo | Lion.
6v<\/a> August | Male figure, in close-fitting cap, holding flail, threshing grain - Virgo | Female figure, holding fleur-de-lys.
7r<\/a> November | Male figure, hooded, holding clubs, knocking acorns from tree, falling on three boars(?) - Sagittarius | Centaur, facing back, holding bow, [shooting arrow].
7v<\/a> December | Male figure, in white apron, raising axe over boar - Capricorn | Sea goat.
<\/div>

Prefatory Cycle<\/i><\/p>

Five full-page miniatures featuring 50 medallions. Due to the incomplete state of the Prefatory Cycle, it has been estimated that that the cycle was likely quite extensive, potentially spanning more than thirty-two leaves and encompassing up to 320 scenes (Zaluska, 1999). <\/p>

The illustrations are painted exclusively on the recto side of the leaves, leaving the verso side of the parchment blank. Each miniature occupies a frame measuring 153 mm in height and 105 mm in width, within which there are 10 medallions. These medallions are set against a background adorned with diapered spandrels. Of the medallions, eight are circular (positions 1, 2, 4-7, 9-10), and two are diamond-shaped (positions 3 and 8), with an additional small circular medallion located at the centre (labeled A).<\/p>

Each of the two diamond-shaped medallions links to four round medallions, which are superimposed at the ends. The small central medallions (A) contain figures or decorative ornaments. The round or diamond-shaped medallions illustrate subjects from the Life of Christ: Infancy and Ministry. These are accompanied by marginal blue and red rubrics, on the upper, lower and side margins, functioning as picture captions, quoting and paraphrasing verses of the Gospels according to Matthew, Mark, Luke and John.<\/p>

8r<\/a> I | Life of Christ | Infancy
1 | Nativity of Christ | Et pannis eum involvit et reclinavit eum in presepio<\/i> (Luke 2:7) | Virgin Mary, veiled and nimbed, laying Christ Child, cross-nimbed, in swaddling clothes, in manger, flanked by ox and donkey (ass).
2 | Annunciation to the Shepherds | Et ecce angelus Domini ad pastores dicens: \u201cEvangelizo vobis gaudium magnum\u201d<\/i> (Luke 2:9-10) | Angel, nimbed, gesturing in speech towards three shepherds, one in close-fitting cap, holding staff, gesturing in speech, another in hood, and third in hat, all standing on hillside, beside ox and donkey (ass).
3 | Journey of the Shepherds to Bethlehem | Pastores loquebantur ad invicem: \u201cTranseamus usque Bethleem\u201d<\/i> (Luke 2:15) | Three shepherds, two hooded and one in hat, holding staff, walking and gesturing in speech, conversing.
4 | Adoration of the Shepherds | Et venerunt festinantes et invenerunt puerum cum Maria matre ejus<\/i> (Luke 2:16) | Three shepherds, one gesturing in speech towards Holy Family, sitting on bench. Virgin Mary, veiled and nimbed, hand on chest, holding on lap Christ Child, cross-nimbed, partially unclothed, gesturing towards shepherds. Beside Virgin and Child, partially visible, Saint Joseph in hat, gesturing in speech.
5 | Return of the Shepherds from Bethlehem | Tunc reversi sunt pastores, et dicunt: \u201cGloria in excelsis quia\u201d<\/i> (Luke 2:20) | Four shepherds, one with hat on back, gesturing in praise towards head of God the Father, cross-nimbed, emerging from cloud. All four before three male figures, one looking back towards another in cap, both gesturing in speech.
A | [missing].
6 | Circumcision of Jesus Christ | Postquam consummati sunt dies octo, ut circumcideretur puer, vocatum est nomen est (sic) Jhesus<\/i> (Luke 2:21) | Priest, in pointed cap, sitting, holding on lap Christ Child, cross-nimbed, partially unclothed, gesturing towards another priest, in pointed cap, holding scissors(?) towards Christ Child, operating circumcision. Partially visible, Virgin Mary, veiled, and Saint Joseph in cap, beside second priest.
7 | Presentation of Jesus in the Temple | Obtulerunt Jhesum in Templo, and Symeon accepit eum in ulnas suas<\/i> (Luke 2:22, 28) | Virgin Mary, veiled, nimbed, and Simeon of Jerusalem, veiled, holding Christ Child over draped altar. Christ Child, cross-nimbed, gesturing towards Simeon. Saint Joseph in cap, behind Virgin Mary.
8 | Visit of the Three Wise Men (Magi) | Cum natus esset Jhesus in Bethlehem Jude, tres magi venerunt ab Oriente Jerosolimam, dicentes: \u201cUbi est?\u201d<\/i> (Matthew 2:2) | Three Magi, crowned, before four male figures, all gesturing in speech.
9 | Herod and the Chief Priests and Scribes | Turbatur Herodes et vocans principles sacerdotum sciscitabatur ab eis ubi Christus natus esset. At illi dixerunt: \"In Bethlehem Jude\"<\/i> (Matthew 2:4-5) | Five male figures, one in cap, gesturing in speech towards King Herod, crowned, sitting on bench, legs crossed, head reclined on hand.
10 | Herod and the Three Wise Men (Magi) | Tunc Herodes, clam vocatis magis: \u201cUsque ad illum locum ite et interrogate\u201d<\/i> (Matthew 2:7-8) | Three Magi, crowned, before Herod, crowned, sitting on bench, legs crossed, all gesturing in speech.
<\/div>
9r<\/a> II | Life of Christ | Ministry | I
1 | Calling of the First Disciples: Peter and Andrew | Factum est autem cum turbe irruerent in eum, et piscatores lavabant retia<\/i> (Luke 5:1-2) | Jesus Christ, cross-nimbed, gesturing in blessing towards Peter and Andrew, one standing and other bending over, cleaning fishing nets.
2 | Calling of the First Disciples: Jesus Christ Preaching from the Boat | Ascendens autem in unam navem que erat Simonis, rogavit eum a terra reducere pusillum<\/i> (Luke 5:3) In boat, Peter (called Simon), holding oar, paddling near shore of lake, and Jesus Christ, cross-nimbed, holding book, gesturing in speech, preaching towards crowd of five figures, listeners, on land.
3 | Calling of the First Disciples: Peter | Ut cessavit autem loqui, dixit ad Simonem: \u201cDuc me in altum et laxate retia.\u201d Et nichil prendiderunt<\/i> (Luke 5:4-5) | In boat, Jesus Christ, cross-nimbed, gesturing in speech towards Peter (called Simon), in close-fitting cap, holding net partially submerged in water.
4 | Calling of the First Disciples: Miraculous Draught of Fish | Et cum hec fecissent, comprehenderunt piscium multitudinem<\/i> (Luke 5:6) | In boat, Jesus Christ, cross-nimbed, sitting(?), holding book, gesturing in speech towards Peter, Andrew, James, and John, drawing up net of fish.
5 | Calling of the First Disciples: Peter, Andrew, James, and John | Quod cum videret Symon Petrus, procidit ad genua Jhesu dicens: \u201cExi a me, quia homo peccator sum, Domine\u201d<\/i> (Luke 5:8-9) | In boat, Jesus Christ, cross-nimbed, before Peter, Andrew, James, and John, bowing, all gesturing in speech.
A | Azure, lion rampant Or.
6 | Calling of the First Disciples: Matthew | Et cum transiret illic, vidit Levi sedentem in teloneo, et secutus est eum<\/i> (Luke 5:27) | Jesus Christ, cross-nimbed, before Matthew (called Levi), by \u2018office for receipt of custom\u2019, pointing towards heap of money, both gesturing in speech.
7 | Jesus Christ healing Great Multitudes | Et circuibat Jhesus totam Galileam, sanans omnem languorem et infirmitatem<\/i> (Matthew 4:23) | Jesus Christ, cross-nimbed, gesturing in speech, preaching towards crowd of sixteen figures, some standing, some kneeling in prayer, and some gesturing in speech.
8 | Sermon on the Mount | Videns autem turbas, Jhesus ascendit in montem, et accesserunt ad eum discipuli ejus; and aperiens os suum, docebat eos: \u201cBeati,\u201d etc.<\/i> (Matthew 5:1-3) | Jesus Christ, cross-nimbed, holding book, preaching towards crowd of sixteen figures, all sitting on a mountain side and all gesturing in speech.
9 | Miracle of Cana: Wedding Feast | Nuptie facte sunt in Chana Galilee, et dicit mater Jhesu: \u201cVinum non habent\u201d<\/i>(John 2:1, 3) | Jesus Christ with Virgin Mary and four figures, disciples and guests, one holding bowl, sitting behind draped table laden with cups, knives, loaves, and plates containing fish. Jesus Christ, cross-nimbed, indicating towards table, gesturing towards Virgin Mary, veiled, nimbed, both gesturing in speech.
10 | Miracle of Cana: Turning the Water into Wine: | Erant ibi sex lapidee ydrie, et dicit Jhesus ministris: \u201cImple[te] ydrias aqua,\u201d et impleverunt, etc.<\/i>(John 2:6) | Two groups of servants holding jars, pouring water into six large vessels, on ground.
<\/div>
10r<\/a> III | Life of Christ | Ministry | II
1 | Miracle of Raising the Daughter of Jairus: Jesus Christ at the House of Jairus | Hic eicit Jhesus turbam tumultuantem et tibicines<\/i> (Matthew 9:23-24.) | Jairus in cap, head reclined on hand, weeping behind Jesus Christ, cross-nimbed, casting out two musicians (minstrels), walking away, holding shawms and portative organ.
2 | Miracle of Raising the Daughter of Jairus | Hic ingreditur Jhesus ad puellam, cum Petro, Jacobo, Johanne et patre et maitre puelle, et resurrescit<\/i> (Matthew 9:25) | Jesus Christ, cross-nimbed, gesturing in blessing, and holding hand of girl, lying in bed, covered with blanket, returned to life, gesturing in speech. Mother of girl, in barbette, leaning towards daughter, offering bowl. Jairus in cap, head reclined on hand, weeping, and gesturing in speech. Three disciples, Peter, James and John, one holding book, and gesturing in speech.
3 | Jesus Christ at the House of Mary and Martha | Intravit Jhesus in quoddam castellum, et mulier quedam, Martha nomine, excepit illum in domum suam<\/i> (Luke 10:38) | Mary, veiled, head reclined on hand, sitting before Jesus Christ, cross-nimbed, sitting on bench, holding book propped up on knee, hand on chest. Martha, in barbette, gesturing in speech.
4 | Plucking Grain on the Sabbath | Abiit Jhesus sabbato per sata; discipline autem ejus vellebant spicas and edebant<\/i> (Luke 6:1) | Jesus Christ, cross-nimbed, holding book, and disciples standing by grainfield, one holding small sheaf of grain, hand to mouth eating, another, gesturing in speech, picking grain.
5 | Miracle of Healing the Man with a Withered Hand | Et ecce homo habens manum aridam, et sanavit eum<\/i> (Luke 6: 6 and 10) | Jesus Christ, cross-nimbed, gesturing in blessing, holding and healing withered hand of man. Three male figures, spectators in conical hats, one gesturing in speech.
A | Azure, pattern Or.
6 | Beheading of John the Baptist: Dance of Salome at the Banquet of Herod | Die natalis Herodis regis, saltavit filia Herodiadis, et promisit ei caput Johannis<\/i> (Matthew 14:6, 9) | Salome, balancing on hands, dancing before Herod, crowned, behind draped table, gesturing in speech towards male figure, guest in hat, holding cup, both flanked by four male figures, guests, two gesturing in speech.
7 | Beheading of John the Baptist | Misitque rex, et decollavit eum in carcere, et allatum est caput ejus, etc.<\/i> (Matthew 14:10-11) | Salome, holding charger, gesturing in speech towards male figure, executioner, in close-fitting cap, holding sword raised, grasping head of John the Baptist, kneeling in prayer.
8 | Beheading of John the Baptist: Herodias and Salome with the Head of John the Baptist | Et puella dedit matri sue<\/i> (Matthew 14:11) | Salome, holding platter, presenting head of John the Baptist to Herodias, crowned, sitting on bench, receiving platter.
9 | Beheading of John the Baptist: Burial of the Headless Body | Que audito, venerunt discipuli ejus et sepelierunt eum<\/i> (Matthew 14:12) | Seven disciples, gesturing, laying headless body of John the Baptist into tomb.
10 | Miracle of Feeding the Five Thousand | No caption, only one letter, initial \u2018H\u2019. (Matthew 14:13) | Two disciples, one nimbed, before crowd of about ten male and female figures, one in cap, another in headgear, some standing and other sitting, all gesturing in speech.
<\/div>
11r<\/a> IV | Life of Christ | Ministry | III
1 | Miracle of Feeding the Five Thousand: Multiplication of Loaves and Fish | Hic benedicit quinque panes and duos pisces, and precipitate ut apponant turbe<\/i> (Matthew 14:19) | Jesus Christ, cross-nimbed, sitting on rock, holding loaf of bread and gesturing in blessing towards three disciples, one, possibly Peter, tonsured or half-bald, nimbed, holding four loaves of bread, and another, holding three fish.
2 | Miracle of Feeding the Five Thousand | Discipuli apponunt, et manducaverunt, et saturati sunt v milia, exceptis mulieribus et parvulis<\/i> (Matthew 14:20-21) | Two disciples, one, possibly Peter, tonsured or half-bald, nimbed, holding plate, distributing loaves of bread to crowd of ten male and female figures, one hooded, another veiled, some standing and other kneeling on ground.
3 | Miracle of feeding Five Thousand: Twelve Baskets of Leftovers | Et tulerunt reliquias, xii cophinos fragmentorum plenos<\/i> (Matthew 14:20) | Three disciples emptying cloth with pieces of food into one of twelve baskets filled up with leftovers.
4 | Miracle of Jesus Christ Walking on the Water: Retreating to Solitude for Prayer | Jhesus est in terra solus, et navis in medio maris, et discipuli laborant in remis<\/i> (Matthew 14:23-24) | Jesus Christ, cross-nimbed, gesturing in speech, walking away from six disciples in boat, rowing.
5 | Miracle of Jesus Christ walking on the Water | Hic venit ad eos ambulans supra mare, et putantibus illis fantasma esse dixit: \u201cEgo sum\u201d<\/i> (Matthew 14:25-27) | Jesus Christ, cross-nimbed, walking on water, approaching five disciples in boat, rowing, all gesturing in speech.
A | Rose, lion passant Or.
6 | Miracle of Jesus Christ Walking on the Water: Rescuing Peter | Says Petrus Jhesu: \u201cDomine, si tu es, jube me venire ad te super aquas\u201d<\/i> (Matthew 14:28) | Jesus Christ, cross-nimbed, standing on water, holding hand of Peter, tonsured or half-bald, half-submerged in waters, sinking, both gesturing in speech. Five disciples in boat, one gesturing in speech.
7 | Miracle of Jesus Christ Walking on the Water: Entering the Boat | Et cum ascendisset in naviculam, cessavit ventus<\/i> (Matthew 14:32) | Jesus Christ, cross-nimbed, gesturing in speech, stepping into boat with five disciples. Peter, tonsured or half-bald, gesturing in speech.
8 | Miracle of Healing the Daughter of the Canaanite woman | Dicit Jhesus mulieri Chananee: \u201cNon est bonum sumere panem filiorum et mittere canibus, etc.<\/i> (Matthew 15:26) | Jesus Christ, cross-nimbed, gesturing in speech towards Canaanite [or Syrophoenician] woman with daughter, both in barbette, mother kneeling in prayer, asking healing for demon-possessed daughter (demon visible above?), standing, gesturing in speech. Female figure in barbette, gesturing, and male figure in cap holding goblet, standing behind draped table laden food in plate, and goblet. Child sitting at table, gesturing towards white dog asking for food.
9 | Miracle of Healing the Deaf Man of Decapolis | Tunc adducunt ei surdum et mutum, et misit digitos suos in aures ejus<\/i> (Mark 7:32-33) | Jesus Christ, cross-nimbed, touching ears of deaf man with a speech impediment, mouth open, kneeling, and gesturing. Five disciples, standing behind, with Peter, tonsured or half-bald, gesturing in speech.
10 | Jesus and the Samaritan Woman at the Well | Jhesus fatigatus sedet super fontem; venit Samaritana haurire aquam; et dicit ille: \u201cDa michi bibere\u201d<\/i> (John 4:6-7) | Jesus Christ, cross-nimbed, sitting on rock, holding book before Samaritan, in barbette, holding rope of bucket on windlass above well, with large vessel on ground, both gesturing in speech.
<\/div>
12r<\/a> V | Life of Christ | Ministry | IV
1. Jesus and the Samaritan Woman: Disciples Rejoin Jesus and Marvel | Et venerunt discipuli et mirabantur quia cum muliere loquebatur<\/i> (John 4:27) | Beside well(?) with large vessel, Samaritan Woman, in barbette, holding bucket before Christ, cross-nimbed, sitting, holding book, both gesturing in speech. Two disciples, one, Peter, tonsured or half-bald, holding fish, and other, gesturing in speech.
2 | Jesus and the Samaritan Woman: Testimony | Hic dicit mulier hominibus de civitate: \"Venite et videte hominem, etc.\"<\/i> (John 4:28-29) | Samaritan Woman, in barbette, pointing towards well with large vessel, directing four male figures, one hooded, all gesturing in speech.
3 | Disciples Rejoin Jesus: Spiritual Meal | Dicunt ei discipuli: \u201cRabi, manduca; and ait illis: \u201cEgo cibum habeo manducare quem vos nescitis\u201d<\/i> (John 4:31-32) | Two disciples, one, tonsured or half-bald, possibly Peter, offering plate of fish to Jesus Christ, nimbed, sitting on bench, gesturing in speech towards head of God the Father, cross-nimbed, emerging from cloud.
4 | Miracle of Bethesda Pool: Angel Troubling the Waters Erat Jherosolimis probatica piscina quinque porticus habens, et angelus; movebatur aqua, and sanus unus<\/i> (John 5:2, 4) | Angel, nimbed, emerging from cloud, stirring water in pool of Bethesda, surrounded by five arched windows, with partial figures, sick and lame, each with head reclined on hand.
5 | Miracle of Healing the Paralytic Man at Bethesda Pool | Et dicit Jhesus cuidam qui jacebat ibi per xxx et viii annos: \u201cTolle grabatum tuum<\/i> (John 5:5, 8) | Jesus Christ, cross-nimbed, holding book and gesturing in speech towards paralytic man, carrying bed on back, watched by unclothed figure, partially seen, in arched window.
A | Azure, ostrich passant Or.
6 | Miracle of Transfiguration of Jesus Christ: Ascent | Assumpsit Jhesus Petrum et Jacobum et Johannem, et duxit eos in montem excelsum et transfiguratus [est]<\/i> (Matthew 17:1) | Jesus Christ, cross-nimbed, gesturing in speech, holding hand of Peter, tonsured, holding book, followed by disciples James and John, gesturing in speech, ascending mountain.
7 | Miracle of Transfiguration of Jesus Christ | Et facta sunt vestimenta ejus splendida sicut nix, et appearedunt in eo Moises et Helias<\/i> (Matthew 17:2-3) | Standing on mountain, Jesus Christ, cross-nimbed, holding book, gesturing in blessing, flanked by Elijah, holding book, and Moses, horned, both gesturing in speech. Disciples Peter, James and John, lying on ground, sleeping.
8 | Miracle of Transfiguration of Jesus Christ: Three Tabernacles | Dicit Petrus: \u201cRabi, bonum is our hic esse; si vis, faciamus hic tria tabernacula, tibi unum, Moisi unum and Helie unum<\/i> (Matthew 17:4) | Standing on mountain, Jesus Christ, cross-nimbed, gesturing in blessing, flanked by Elijah, holding book, and Moses, horned, both gesturing in speech. Disciples James and John, sitting on ground, looking upwards, and Peter, tonsured, gesturing in speech.
9 | Miracle of transfiguration of Jesus Christ: Voice of God Et vox de celo dixit: \u201cHic est filius meus,\u201d et neminem viderunt nisi solum Jhesum<\/i> (Matthew 17:5, 8) | Standing on mountain, Jesus Christ, cross-nimbed, flanked by disciples Peter, tonsured, James and John, sitting on ground, all gesturing in speech towards head of God the Father, cross-nimbed, emerging from cloud.
10 | Miracle of Healing the Demon-possessed Son | Hic rogat quidam genibus flexis pro filio suo<\/i> (Matthew 17:14) | Jesus Christ, cross-nimbed, holding book, before man, father in cap, kneeling, gesturing in speech, asking healing for demon-possessed son, standing behind.
<\/div>

Historiated Initials<\/b><\/p>

One hundred seventy-nine historiated initials, ranging from 3- to 7-lines, introducing each of the Psalms, Canticles, and the Litany. These initials are typically adorned with narrative scenes that correspond to the text and are set against backgrounds of burnished gold, surrounded by intricate foliage borders. Additionally, each initial is accompanied by alternating blue or red marginal rubrics, which function as captions for the depicted scenes.<\/p>

Psalter<\/i><\/p>

One hundred sixty-six historiated initials for each Psalm, (including subdivisions within Psalm 118).<\/p>

Vulgate | Septuagint (LXX) numbers are given first, followed by the Masoretic Text (MT) numbers | Authorised Version (AV), which appear in the margins alongside each Psalm. These numbers are enclosed in square brackets.<\/p>

Nine 7-line historiated initials, with scenes from the David cycle, introducing the Psalms at the main, ten-fold liturgical divisions: 26 [27]<\/a>, 38 [39]<\/a>, 51 [52]<\/a>, 52 [53]<\/a>, 68 [69]<\/a>, 80 [81]<\/a>, 97 [98]<\/a>, 101 [102]<\/a>, and 109 [110]<\/a>. The leaf containing the historiated initial B[eatus vir], which would typically introduce Psalm 1 and serve as a frontispiece to the entire Psalter, is missing. <\/p>

One hundred and forty-five 3-line, eight 5-line, and one 6-line historiated initials for each of the remaining Psalms. The leaves containing the historiated initials for Psalm 32, is missing.<\/p>

14r<\/a> 3-line Q<\/b>[uare fremuerunt] Pilatus and Herodes fiunt amici in capcione Christi<\/i> | Pilate in cap, embracing Herod, crowned, becoming friends in captivity of Jesus Christ | Psalm 2 [2].
15r<\/a> 3-line D<\/b>[omine quid] | Absalon pendet duabus lanceis transfixus<\/i> | Absalom, hanging by hair from tree, pierced by three spears, and saddled mule, galloping away | Psalm 3 [3].
15v<\/a> 3-line C<\/b>[um invocarem] | Rex hic slept in pace<\/i> | King, crowned, lying in bed, head reclined on hand, sleeping in peace | Psalm 4 [4].
16r<\/a> 3-line U | V<\/b>[erba mea] | Abraham expellit ancillam cum filio <\/i> | Abraham casting out maidservant Hagar, looking back, and her son Ishmael, both walking away, all gesturing in speech | Psalm 5 [5].
17r<\/a> 3-line D<\/b>[omine ne] | David infirmans orat ad dominum<\/i> | David, crowned, reclined in bed, gesturing in prayer towards cross-nimbed head of God the Father, emerging from cloud | Psalm 6 [6].
17v<\/a> 3-line D<\/b>[omine deus] | Quidam a monte proicit lapides circa (contra) dauid<\/i> | Shimei, along hillside, throwing stones at David, crowned, looking back, gesturing in speech | Psalm 7 [7].
19r<\/a> 3-line D<\/b>[omine dominus] | Quidam erigit torcularia<\/i> | Male figure, in close-fitting cap, attaching device onto threaded post above two horizontal bars, installing wine press | Psalm 8 [8].
19v<\/a> 3-line C<\/b>[onfitebor tibi] | Sacerdos indutus confitetur coram altari<\/i> | Priest, tonsured, bowing in prayer before draped altar | Psalm 9 [9+10].
22r<\/a> 5-line I<\/b>[n domino] |Quidam respite corniculam vel corvum<\/i> | Male figure gesturing towards crow or raven on top of tree | Psalm 10 [11].
22v<\/a> 3-line S<\/b>[alvum me] | Angelus canit buccina et mortui resurgunt<\/i> | Angel emerging from cloud, blowing trumpet towards two unclothed male figures, dead, gesturing in speech, rising from tombs | Psalm 11 [12].
23r<\/a> 3-line U<\/b>[squequo domine] | Quidam induit pauperem nudum<\/i> | Male figure, placing mantle over another male, in loincloth, kneeling on ground | Psalm 12 [13].
 23v<\/a> 3-line D<\/b>[ixit incipiens] | Quidam iudeus respiciens terram flet <\/i> | Male figure in conical hat, sitting on bench, head reclined on hand, weeping | Psalm 13 [14].
24v<\/a> 3-line D<\/b>[omine quis] | Ecclesia tenet calicem<\/i> | Male figure, personification of Church (Ecclesia), crowned, sitting on bench, holding large chalice | Psalm 14 [15].
24v<\/a> 3-line C<\/b>[onserva me] | Christus resurgit de sepulcro<\/i> | Resurrection. Jesus Christ, cross-nimbed, rising from tomb, holding cross-staff and book | Psalm 15 [16].
25v<\/a> 3-line E<\/b>[xaudi domine] | Dauid orans benedicitur a domino<\/i> | God crowning David. God the Father, cross-nimbed, emerging from cloud, gesturing in blessing towards David, crowned, kneeling on ground, bowing in prayer | Psalm 16 [17].
26v<\/a> 3-line D<\/b>[iligam te] | Puer portans coronam ad dauid<\/i> | Saul sitting on bench, gesturing in speech towards male figure, Amalekite, carrying crown [to David] | Psalm 17 [18].
29v<\/a> 3-line C<\/b>[eli enarrant] | Spiritus sanctus descendit in apostolos<\/i> | Pentecost. Dove of Holy Spirit, nimbed, descending from cloud upon apostles | Psalm 18 [19].
30v<\/a> 3-line E<\/b>[xaudiat te] | Dauid regitur manu dei<\/i> | David praying. God the Father, cross-nimbed, emerging from cloud, gesturing in blessing towards David, crowned, kneeling on ground, bowing in prayer | Psalm 19 [20].
31r<\/a> 3-line D<\/b>[omine in] | Dauid coronatur a deo<\/i> | God crowning David. God the Father, cross-nimbed, placing crown upon head of David, bowing in prayer | Psalm 20 [21].
31v<\/a> 3-line D<\/b>[eus deus] | Christus pendet in cruce<\/i> | Crucifixion. Jesus Christ, in loincloth, affixed with three nails to tau cross, bleeding from wounds, flanked by Virgin Mary, veiled, and Saint John, holding book, both standing, head reclined on hand, in sorrow | Psalm 21 [22].
33v<\/a> 3-line D<\/b>[ominus regit] | Populus redit a babilone<\/i> | Return from Babylon. Five male figures, gesturing in speech outside gate to city of Babylon | Psalm 22 [23].
34r<\/a> 3-line D<\/b>[omini est] | Christus frangit portas inferni<\/i> | Harrowing of Hell. Jesus Christ, cross-nimbed, stepping on two gates of Hell, holding cross-staff, grasping hand of unclothed Adam, next to unclothed Eve, accompanied by four figures (only top of heads visible) | Psalm 23 [24].
34v<\/a> 3-line A<\/b>[d te domine] | Quidam respiciens in celum uerberatur<\/i> | Male figure, holding staff weapon, attacking another male, kneeling in prayer towards cloud | Psalm 24 [25].
35v<\/a> 5-line I<\/b>[udica me] | Ecclesia tenet calicem<\/i> | Female figure, personification of Church (Ecclesia), veiled and crowned, holding large chalice, gesturing in speech | Psalm 25 [26].
36v<\/a> 7-line D<\/b>[ominus illuminatio] | Samuel inungit dauid<\/i> | Samuel anointing David. Samuel, holding vessel of affusion, pouring oil over head of David, sitting on bench, gesturing in speech | Psalm 26 [27].
37v<\/a> 3-line A<\/b>[d te domine] | Dauid orat in tabernaculo<\/i> | David, crowned, kneeling in prayer, in tabernacle | Psalm 27 [28].
38r<\/a> 3-line A<\/b>[fferte domino] | Sacerdos immolat arietem<\/i> | Priest, tonsured, holding ram above draped altar, offering sacrifice | Psalm 28 [29].
39r<\/a> 3-line E<\/b>[xaltabo te] | Quidam dedicat ecclesiam<\/i> | Dedication of church. Acolyte holding bucket, behind priest, tonsured, holding aspergillum (holy water sprinkler) | Psalm 29 [30].
39v<\/a> 5-line I<\/b>[n te domine] | Auis euadit a laqueo hominis<\/i> | Hunter, holding two sticks, snaring bird | Psalm 30 [31].
41r<\/a> 3-line B<\/b>[eati quorum] | Sacerdos baptizat puerum<\/i> | Baptism. Priest, tonsured, holding unclothed child above baptismal font | Psalm 31 [32].
Psalm 32 [33] | [missing].
42r<\/a> 3-line B<\/b>[enedicam dominum] | Dauid simulat se fatuum<\/i> | Male figure, fool, semi-bald, holding club before David, crowned, both gesturing in speech | Psalm 33 [34].
43r<\/a> 5-line I<\/b>[udica domine] | No caption | Jesus Christ, cross-nimbed, holding tau-cross and nails(?) | Psalm 34 [35].
45r<\/a> 3-line D<\/b>[ixit iniustus], | No caption | Joab, holding sword, piercing side of Amasa, embracing Joab | Psalm 35 [36].
45v<\/a> 3-line N<\/b>[oli emulari] | No caption | Female figure, leaning over, holding bundle of grass(?), or holding hands in stream of water(?) | Psalm 36 [37].
48r<\/a> 3-line D<\/b>[omine ne] | Dauid flens respicit gladium<\/i> | David, crowned, kneeling in payer, and weeping before angel, holding sword | Psalm 37 [38].
49v<\/a> 7-line D<\/b>[ixi custodiam] | Rex dicit Christo custodiam linguam meam<\/i> | David, crowned, hand to mouth, kneeling before Jesus Christ, cross-nimbed, gesturing in blessing | Psalm 38 [39].
50v<\/a> 3-line E<\/b>[xpectans expectavi] | Deus extrahit dauid a luto et coronat<\/i> | God the Father, placing crown upon head, and holding hand of David, kneeling, and gesturing in speech | Psalm 39 [40].
51v<\/a> 3-line B<\/b>[eatus qui] | Dauid dat pauperi panem<\/i> | David, crowned, giving loaf of bread to male figure, poor, sitting on ground, receiving bread, gesturing in speech | Psalm 40 [41].
52v<\/a> 3-line Q<\/b>[uemadmodum desiderat] | No caption | Male figure, holding spear, piercing stag, drinking water from river, bleeding from wound | Psalm 41 [42].
53r<\/a> 5-line I<\/b>[udica me] | Sacerdos stat ad altare<\/i> | Priest, tonsured, bowing in prayer before chalice on draped altar | Psalm 42 [43].
53v<\/a> 3-line D<\/b>[eus auribus] | Iudeus canit buccina et fugiunt inimici<\/i> | Male figure, blowing trumpet towards five male figures, enemies, looking back, gesturing in speech | Psalm 43 [44].
55r<\/a> 3-line E<\/b>[ructavit cor] | Puelle timpanizant post Christum<\/i> | Jesus Christ, cross-nimbed, holding book, gesturing in blessing towards two male figures, musicians(?), one, playing frame drum(?), another, hand on chest, singing(?) | Psalm 44 [45].
56r<\/a> 3-line D<\/b>[eus noster] | No caption | Jesus Christ, cross-nimbed, holding situla and aspergil before chalice on altar | Psalm 45 [46].
57r<\/a> 3-line O<\/b>[mnes gentes] | No caption | Ascension. Virgin Mary, veiled, kneeling on ground in prayer, flanked by twelve apostles, some gesturing towards Jesus Christ, only lower part of clothing and feet visible, disappearing into cloud emitting rays | Psalm 46 [47].
57r<\/a> 3-line M<\/b>[agnus dominus] | No caption | Male figure, crowned, holding axe, breaking ship of Tarshish, at sea | Psalm 47 [48].
58r<\/a> 3-line A<\/b>[udite hec] | Diabolus capit animam diuitis<\/i> | Bestial devil, grasping unclothed personification of soul, emerging from mouth of male figure, lying on draped bed | Psalm 48 [49].
59r<\/a> 3-line D<\/b>[eus deorum] | Iudeus offert arietem<\/i> | Male figure in conical hat, kneeling, holding ram above altar, offering sacrifice. Jesus Christ, cross-nimbed, holding book(?), gesturing in speech behind altar | Psalm 49 [50].
60v<\/a> 3-line M<\/b>[iserere mei] | Natan ostendit ovem dauid et ipse flectit genua<\/i> | David rebuked by Nathan. David crowned, kneeling in prayer towards nimbed head of God the Father, emerging from cloud. Nathan, gesturing down, towards ram | Psalm 50 [51].
61v<\/a> 7-line Q<\/b>[uid gloriaris] | Propheta dicit regi Quid gloriaris?<\/i> | Prophet, gesturing in speech towards David, crowned, sitting on bench, legs crossed, holding sword | Psalm 51 [52].
62r<\/a> 7-line D<\/b>[ixit incipiens] | No caption | Male figure, fool in rags, holding loaf of bread to mouth, gesturing in speech towards David, crowned, sitting on bench | Psalm 52 [53].
62v<\/a> 3-line D<\/b>[eus in nomine] | Dauid abscidit sauli oram clamidis<\/i> | David cutting off piece of Saul's robe. David, holding sword towards Saul, crowned, looking back, both gesturing in speech | Psalm 53 [54].
63r<\/a> 3-line E<\/b>[xaudi deus] | Quidam in naufragio clamant<\/i> | Four figures, in boat on water, one kneeling, all gesturing in prayer | Psalm 54 [55].
64v<\/a> 3-line M<\/b>[iserere mei] | Saul dormit et tenet dauid calicem<\/i> | Saul, crowned, lying in bed, head reclined on hand, and David, holding bowl, gesturing in speech | Psalm 55 [56].
65r<\/a> 3-line M<\/b>[iserere mei] | Nuncius uenit a saul ad dauid<\/i> | David, crowned, behind male figure, messenger(?), kneeling before Saul, all gesturing in speech | Psalm 56 [57].
66r<\/a> 3-line S<\/b>[i vere utique] | Incantator incantat aspidem<\/i> | Enchanter, gesturing in speech towards serpent (asp), blocking ear with tail | Psalm 57 [58].
66v<\/a> 3-line E<\/b>[ripe me] | Michal per fenestram dimittit dauid<\/i> | Michal helping David to escape. Michal, in arched window of tower, holding rope, lowering down David, crowned, in rope sling, gesturing | Psalm 58 [59].
67v<\/a> 3-line D<\/b>[eus reppulisti] | Dauid ince(n)dit uillam<\/i> | David, crowned, holding flaming torch outside walls of city | Psalm 59 [60].
68r<\/a> 3-line E<\/b>[xaudi deus] | Dauid stat super bestiam<\/i> | David, squatting, and trampling on animal | Psalm 60 [61].
68v<\/a> 3-line N<\/b>[onne deo] | Turris cadit super regem<\/i> | Tower, collapsing, falling over crowned king, kneeling on ground, gesturing | Psalm 61 [62].
69v<\/a> 3-line D<\/b>[eus deus] | Dauid stat absconditus in deserto<\/i> | David, gesturing in speech, flanked by two trees | Psalm 62 [63].
70r<\/a> 3-line E<\/b>[xaudi deus] | Sagittarius insidiatur dauid<\/i> | Centaur (with blue horse-body) galloping, turning and gesturing in speech towards David, crowned, holding tail of Centaur. Note: \u2018Sagittarius\u2019 was interpreted by the artist to mean the zodiac sign, which is always represented as a centaur | Psalm 63 [64].
70v<\/a> 3-line T<\/b>[e decet] | Rex extrait captiuos<\/i> | Two male figures, captives, in conical hats, before male figure, king, uncrowned, all three standing and gesturing in speech | Psalm 64 [65].
71v<\/a> 3-line I<\/b>[ubilate deo] | Leo suscitat filios suos<\/i> | Lioness, mouth open over head of one of two(?) cubs, lying on ground | Psalm 65 [66].
72v<\/a> 3-line D<\/b>[eus misereatur] | Aaron tenet uirgam<\/i> | Aaron, holding fleur-de-lys sceptre, gesturing in speech | Psalm 66 [67].
72v<\/a> 3-line E<\/b>[xurgat deus] | Moises et aaron erigunt archam<\/i> | Aaron, and Moses, horned, bearing Ark of Covenant | Psalm 67 [68].
75r<\/a> 7-line S<\/b>[alvum me] | No caption | Jesus Christ (or God the Father), cross-nimbed, holding book, gesturing in blessing towards Jonah, in loincloth, emerging mouth of whale, and clutching at tree | Psalm 68 [69].
77r<\/a> 3-line D<\/b>[eus in adiutorium] | Duo portant caput isboset ad dauid<\/i> | David, crowned, sitting on bench, gesturing in speech towards Baanah and Rechab, both kneeling, presenting head of Ishbosheth on charger | Psalm 69 [70].
77v<\/a> 5-line I<\/b>[n te domini] | Dauid stat hie et inimici eius hic <\/i> | David, crowned, at top of tower, holding sword, looking down towards three soldiers (enemies) in helmets, one holding shield | Psalm 70 [71].
79r<\/a> 3-line D<\/b>[eus iudicium] | Tres reges ueniunt adorare<\/i> | Three kings, crowned, kneeling, gesturing in worship towards head of God the Father, cross-nimbed, emerging from above | Psalm 71 [72].
80r<\/a> 3-line Q<\/b>[uam bonus] | Moises frangit tabulas<\/i> | Moses, horned, breaking Tablets of Law | Psalm 72 [73].
81v<\/a> 3-line U<\/b>[t quid deus] | Deus pellit sinagogam<\/i> | God the Father, cross-nimbed, driving out female figure, personification of Synagogue, veiled, walking away, gesturing in speech | Psalm 73 [74].
82v<\/a> 3-line C<\/b>[onfitebimur tibi] | Sacerdos uerberat regem<\/i> | David rebuked by Nathan. Nathan, tonsured, holding unidentified object (palm branch?) above David, crowned, kneeling in prayer | Psalm 74 [75].
83r<\/a> 3-line N<\/b>[otus in Iudea] | Deus aufert uelum ab oculi(s) sinagoge<\/i> | God the Father, cross-nimbed, removing veil from female figure, personification of Synagogue, gesturing in speech | Psalm 75 [76].
83v<\/a> 3-line V<\/b>[oce mea] | Deus uerberat dauid et coronat<\/i> | God the Father, cross-nimbed, holding palm branch(?), placing crown upon head of David, bowing, gesturing in prayer | Psalm 76 [77].
84v<\/a> 3-line A<\/b>[ttendite popule] | Moises percutit petram et fluunt aque de petra<\/i> | Moses, holding staff, striking rock, water flowing | Psalm 77 [78].
88v<\/a> 3-line D<\/b>[eus venerunt] | Bestie comedunt corpora sanctorum<\/i> | Beast (hyena?) devouring male figure, corpse of saint, in loincloth, kneeling on ground | Psalm 78 [79].
89v<\/a> 3-line Q<\/b>[ui regis] | Deus plantat uineam<\/i> | God the Father (or Jesus Christ), cross-nimbed, picking grapes from vines | Psalm 79 [80].
91r<\/a> 7-line E<\/b>[xultate deo] | Dauid percutit cimbala<\/i> | David, crowned, sitting on bench, holding mallets, playing five bells, suspended from rod. Male figure, holding fiddle-bow, playing cello | Psalm 80 [81].
93(bis?)r<\/a> 3-line D<\/b>[eus stetit] | No caption | Flight into Egypt and fall of idols. Virgin Mary, veiled and nimbed, sitting on donkey (ass), holding Christ Child, swaddled and nimbed. Statue, idol, falling from column | Psalm 81 [82].
93(bis?)r<\/a> 3-line D<\/b>[eus quis similis] | Delbora percutit cum malleo clauum in aure sisare uiri sui<\/i> | Jael killing Sisera [at the behest of the prophetess Deborah]. Jael, holding hammer, pounding nail to head of Sisera, crowned, lying on ground, head reclined on hand, sleeping | Psalm 82 [83].
94r<\/a> 3-line Q<\/b>[uam dilecta] | Presbiter celebrat<\/i> | Priest, tonsured, gesturing in speech, holding chalice on draped altar | Psalm 83 [84].
95r<\/a> 3-line B<\/b>[enedixisti domine] | Partus uirginis et puer in presepio<\/i> | Nativity of Jesus. Virgin Mary, veiled, lying on ground, head reclined on hand, covered with blanket. Christ Child, cross-nimbed, swaddled, within manger, beside heads of ox and donkey (ass) | Psalm 84 [85].
95v<\/a> 5-line I<\/b>[nclina domine] | Homo occidit bestiam<\/i> | Male figure, holding animal, piercing its breast with knife, bleeding from wound | Psalm 85 [86].
96v<\/a> 3-line F<\/b>[undamenta eius] | Annuntiatio<\/i> | Annunciation. Archangel Gabriel, nimbed, before Virgin Mary, veiled, both gesturing in speech | Psalm 86 [87].
97r<\/a> 3-line D<\/b>[omine deus] | Quidam strangulat hominem<\/i> | Male figure in hat, attacking and strangling another male, kneeling on ground | Psalm 87 [88].
98r<\/a> 3-line M<\/b>[isericordias domini] | Filius a dextris Patris tenet solem et lunam<\/i> | God the Father, cross-nimbed, holding sun and moon, sitting on bench, beside Jesus Christ, cross-nimbed, gesturing in blessing | Psalm 88 [89].
101r<\/a> 3-line D<\/b>[omine refugium] | Quidam seminat frumentum<\/i> | Male figure in cap, sowing seeds from basket, in furrowed field | Psalm 89 [90].
102r<\/a> 3-line D<\/b>[ui habitat] | Christus habet sub pedibus leonem et draconem<\/i> | Jesus Christ, cross-nimbed, sitting on bench, holding book, gesturing in blessing, trampling on lion and serpent | Psalm 90[91].
103r<\/a> 3-line B<\/b>[onum est] | Dauid stat in summitate palme<\/i> | David, crowned, sitting on leafy branches of flowering tree | Psalm 91 [92].
104r<\/a> 3-line D<\/b>[ominus regnavit] | Christus stat armatus<\/i> | Jesus Christ, cross-nimbed, in close-helmet and armour, holding shield and sword | Psalm 92 [93].
104r<\/a> 3-line D<\/b>[eus ulcionum] | Quidam interficit hominem<\/i> | Male figure, holding club, and head of another male, kneeling on ground, looking back, gesturing in speech | Psalm 93 [94].
105v<\/a> 3-line V<\/b>[enite adoremus] | Christus dicit uirgini fatue, nescio te<\/i> | Jesus Christ, hands on shoulder of foolish virgin, head turned looking back, gesturing in speech | Psalm 94 [95].
106r<\/a> 3-line C<\/b>[antate domino] | Sacerdos offert hostiam<\/i> | Priest, tonsured, holding host [erased] before draped altar [erased] | Psalm 95 [96] |
107r<\/a> 3-line D<\/b>[ominus regnavit] | Omnis israel obuiat uenienti dauid<\/i> | Five Israelites, standing before David, crowned, sitting on bench, all gesturing in speech | Psalm 96 [97].
107v<\/a> 7-line C<\/b>[antate domino] | Moyses inuitat populum ad cantandum<\/i> | Moses, horned, gesturing in speech towards four male figures, one gesturing, singing in praise | Psalm 97 [98].
108r<\/a> 3-line D<\/b>[ominus regnavit] | Dominus in rubo apparet moisi<\/i> | Moses, standing, and gesturing towards God the Father, cross-nimbed, appearing in bush | Psalm 98 [99].
108v<\/a> 6-line I<\/b>[ubilate deo] | Christus pascit oues<\/i> | Jesus Christ, as good shepherd, cross-nimbed, holding staff, tending four sheep | Psalm 99 [100].
109r<\/a> 3-line M<\/b>[isericordiam et iudicium] | Unus minatur, alius inflammatur<\/i> | Righteous man crowned, gesturing in prayer, and wicked man, amid flames, gesturing | Psalm 100 [101].
109v<\/a> 7-line D<\/b>[omine exaudi] | Pellicanus reficit pullos sanguine suo<\/i> | Pelican, feeding with own blood three chicks in nest | Psalm 101 [102].
111r<\/a> 3-line B<\/b>[enedic anima] | Aquila percutit lapidem super fontem<\/i> | Eagle pecking at rock, by stream (renewing his youth by breaking his beak on a rock) | Psalm 102 [103].
112v<\/a> 3-line B<\/b>[enedic anima] | Onager moritur siti<\/i> | Onager (wild ass), drinking water from stream, running out of rocky outcrop | Psalm 103 [104].
114r<\/a> 3-line C<\/b>[onfitemini domino] | Farao dat claues Iosep<\/i> | Joseph, kneeling, grasping large key from Pharaoh, crowned, sitting on bench | Psalm 104 [105].
116v<\/a> 3-line C<\/b>[onfitemini domino] | Iudei adorant uitulum<\/i> | Five Jews, one, in conical hat, kneeling in worship, before calf on altar | Psalm 105 [106].
Folio 119r <\/a> 3-line C<\/b>[onfitemini domino] | Angelus nunciat pastoribus<\/i> | Annunciation to Shepherds. Angel, nimbed, gesturing in speech towards three shepherds, sitting on ground, beside four sheep, grazing | Psalm 106 [107].
121v<\/a> 3-line P<\/b>[aratum cor meum] | Iacob cancellans manus benedixit filiis<\/i> | Jacob in hat, sitting, arms crossed, blessing sons Ephraim and Manasseh, kneeling in prayer, on either side | Psalm 107 [108].
122r<\/a> 3-line D<\/b>[eus laudem] | ludas suspensus crepuit medius<\/i> | Judas Iscariot, eyes closed, robe open, hanging by rope around neck, suspended from tree | Psalm 108 [109].
124r<\/a> 7-line D<\/b>[ixit dominus] | Pater, filius, spiritus sanctus<\/i> | Trinity. Dove of Holy Ghost, cross-nimbed, descending from cloud, flanked by God the Father and Son Jesus, both sitting on bench, cross-nimbed, holing book on lap, gesturing in blessing | Psalm 109 [110].
124v<\/a> 3-line C<\/b>[onfitebor tibi] | Abraam uult immolare filium et angelus tenet ensem<\/i> | Binding or Sacrifice of Isaac. Angel, emerging from cloud, grasping sword raised by Abraham, looking back, holding head of Isaac, sitting on altar, hands crossed on lap | Psalm 110 [111].
125r<\/a> 3-line B<\/b>[eatus vir] | Quidam dat inopi elemosinam<\/i> | Male figure, giving alms(?) to poor male, sitting on ground, holding bowl(?) | Psalm 111 [112].
125v<\/a> 3-line L<\/b>[audate pueri] | Samuel inungit dauid<\/i> | Samuel anointing David. Samuel, holding [horn-shaped] vessel of affusion, pouring oil over head of David, both gesturing in speech | Psalm 112 [113].
126r<\/a> 5-line I<\/b>[n exitu] | Ydolatra adorat ydolum<\/i> | Male figure, gesturing in worship towards idol on column, and female figure in close-fitting cap, holding hammer, pounding nail to head of another male, reclining on ground | Psalm 113 [114].
127r<\/a> 3-line D<\/b>[ilexi quoniam] | Samson fert portas ciuitatis<\/i> | Samson, holding doors on back, carrying away gates of Gaza out of city | Psalm 114 [115].
127v<\/a> 3-line C<\/b>[redidi propter] | Sacerdos dat potum cuidam cum calice<\/i> | Priest, tonsured, beside draped altar, offering chalice to male figure, kneeling, holding chalice, receiving communion | Psalm 115 [116].
128r<\/a> 3-line L<\/b>[audate dominum] | Duo ferunt botrum<\/i> | Spies, Joshua and Caleb, return from Canaan, carrying large cluster of grapes on pole, resting on shoulders | Psalm 116 [117].
128r<\/a> 3-line C<\/b>[onfitemini domino] | Quidam ascendit per scalam in turrem<\/i> | Male figure climbing ladder against tower | Psalm 117 [118].
129v<\/a> 3-line B<\/b>[eati immaculati] | Quidam studet in libro<\/i> | Male figure, sitting on bench, before open book on lectern, head reclined on hand, reading and gesturing | Psalm 118 [119]-1 Aleph.
129v<\/a> 3-line I<\/b>[n quo corrigit] | Quidam cum deo loquitur<\/i> | Male figure, hand to chin, contemplating towards head of God the Father, cross-nimbed, emerging from above | Psalm 118 [119]-2 Beth.
130r<\/a> 3-line R<\/b>[etribue servo] | Vir cum ligone accipit mercedem a deo<\/i> | Male figure, hooded, holding spade before God the Father, cross-nimbed, emerging from cloud, both gesturing in speech | Psalm 118 [119]-3 Gimel.
130v<\/a> 3-line A<\/b>[dhesit pavimento] | Dauid dormit super ceruical<\/i> | David, crowned, lying in bed, head reclined on hand, sleeping | Psalm 118 [119]-4 Deleth.
131r<\/a> 3-line L<\/b>[egem pone] | Virgo tenet florem<\/i> | Female figure, personification of Virgo zodiac, holding fleur-de-lys | Psalm 118 [119]-5 He.
131r<\/a> 3-line E<\/b>[t veniat] | Dauid orans coronatur<\/i> | God the Father, cross-nimbed, emerging from cloud, gesturing in blessing towards David, crowned, kneeling in prayer | Psalm 118 [119]-6 Vau.
131v<\/a> 3-line M<\/b>[emor esto] | Quidam impellit hominem in ignem<\/i> | Male figure, pushing towards fire another male, looking back, gesturing in speech | Psalm 118 [119]-7 Zain.
132r<\/a> 3-line P<\/b>[orcio mea] | Quidam post tergum ligatis manibus studet<\/i> | Monk or priest(?) tonsured, sitting on bench, wrists bound(?), reading from open book on lectern | Psalm 118 [119]-8 Cheth.
132v<\/a> 3-line B<\/b>[onitatem fecisti] | Carnifex interficit martirem<\/i> | Male figure, executioner, holding sword raised, grasping head of martyr saint, kneeling on ground, in prayer | Psalm 118 [119]-9 Teth.
132Ar<\/a> 3-line M<\/b>[anus tue] | Deus plasmat hominem<\/i> | Creation of Adam. God the Father, cross-nimbed, gesturing in blessing, holding hand of unclothed Adam, sitting on bench | Psalm 118 [119]-10 Jod.
132Av<\/a> 3-line D<\/b>[efecit in] | Oblatio sancte Marie<\/i> | Presentation of Jesus in Temple. Virgin Mary, veiled and Simeon of Jerusalem, holding Christ Child over draped altar. Christ Child, gesturing towards Simeon. Saint Joseph, behind Virgin Mary, watching. | Psalm 118 [119]-11 Caph.
132Av<\/a> 3-line I<\/b>[n eternum] | Christus facet solem<\/i> | God the Father or Jesus Christ (as both the Creator and the Logos), cross-nimbed, holding or separating two celestial spheres - sun and moon, symbolising the creation of the heavens and earth. Small circles, possibly representing stars or cosmic elements in formation. | Psalm 118 [119]-12 Lamed.
133r<\/a> 3-line Q<\/b>[uomodo dilexi] | Puer docet senem<\/i> | Young male figure, sitting in chair, legs crossed, hand resting on knee, instructing old male figure in conical hat, sitting on bench, head reclined on hand | Psalm 118 [119]-13 Mem.
133v<\/a> 3-line L<\/b>[ucerna pedibus] | Quidam fert lucem coram alio<\/i> | Male figure, holding torch(?) (carrying light?) kneeling before another male, sitting on bench, both gesturing in speech | Psalm 118 [119]-14 Nun.
134r<\/a> 3-line I<\/b>[niquos odio] | Columbe respiciunt aquam<\/i> | Two doves, sitting on rock, looking down at stream of water | Psalm 118 [119]-15 Samech.
134v<\/a> 3-line F<\/b>[eci iudicium] | Christus loquitur iudeis<\/i> | Jesus Christ, cross-nimbed, before two Jews in conical hats, looking away, all gesturing in speech | Psalm 118 [119]-16 Ain.
134v<\/a> 3-line M<\/b>[irabilia testimonia] | Annuntiatio<\/i> | Annunciation. Archangel Gabriel, before Virgin Mary, veiled and nimbed, holding book, both gesturing in speech | Psalm 118 [119]-17 Pe.
135r<\/a> 4-line I<\/b>[ustus es] | Spiritus sanctus descendit in papam<\/i> | Dove of Holy Spirit, cross-nimbed, descending from cloud toward male figure, (Pope?) in hat (mitre?), sitting on bench, holding book, propped up on knee, and gesturing in blessing | Psalm 118 [119]-18 Tsade.
135v<\/a> 3-line C<\/b>[lamavi in toto] | Monachus iuuenis<\/i> | Monk, [head erased], kneeling in prayer before chalice [erased] on altar | Psalm 118 [119]-19 Koph.
136r<\/a> 3-line V<\/b>[ide humilitatem] | Quidam interficit serpentem<\/i> | Male figure, holding rod (or staff), striking hybrid animal | Psalm 118 [119]-20 Resh.
136v<\/a> 3-line P<\/b>[rincipes persecuti] | Nudus uerberatur<\/i> | Male figure, holding rod (or staff), striking another male, unclothed, kneeling on ground, in prayer | Psalm 118 [119]-21 Shin.
136v<\/a> 3-line A<\/b>[ppropinquet deprecacio] | Quidam fert ouem<\/i> | Male figure, carrying sheep over shoulders | Psalm 118 [119]- 22 Tau.
137r<\/a> 4-line A<\/b>[d dominum] | Dauid orat ad dominum<\/i> | David, crowned, kneeling in prayer before draped altar | Psalm 119 [120].
137v<\/a> 3-line L<\/b>[evavi oculos] | Quidam respicit montem<\/i> | Male figure, kneeling before mountain, gesturing in speech | Psalm 120 [121].
138r<\/a> 3-line L<\/b>[etatus sum] | Quidam intrat templum<\/i> | Male figure, entering temple, gesturing in speech | Psalm 121 [122].
138v<\/a> 3-line A<\/b>[d te levavi] | Ancilla respicit manum domine sue<\/i> | Female figure, mistress, in wimpled headdress before another female, handmaiden, both gesturing in speech | Psalm 122 [123].
138v<\/a> 3-line N<\/b>[isi quia] | Deus erigit mergentem in fluuium<\/i> | Male figure, unclothed, kneeling, half-submerged in waters before God the Father, cross-nimbed, on shore, both gesturing in speech | Psalm 123 [124].
139r<\/a> 3-line Q<\/b>[ui confidunt] | Deus percutit manum uolentis tangere uirginem<\/i> | Male figure, God in divine intervention, emerging from cloud, holding rod, striking hand of male figure in cap, gesturing towards chaste female figure, sitting on bench, hand on chest | Psalm 124 [125].
139v<\/a> 4-line I<\/b>[n convertendo] | Quidam fert manipulos segetis<\/i> | Male figure, holding sheaf of grain | Psalm 125 [126].
139v<\/a> 3-line N<\/b>[isi dominus] | Apostolus excutit puluerem pedum coram iudeis<\/i> | Apostle, exposing foot, gesturing towards two Jews in conical hats, all gesturing in speech | Psalm 126 [127].
140r<\/a> 3-line B<\/b>[eati omnes] | Iustus cum uxore et liberis sedet ad mensam<\/i> | Male figure, sitting at centre of draped table, holding vessel, surrounded by five figures, three, only tops of heads visible, flanked by two male figures, one, gesturing in speech | Psalm 127 [128].
140v<\/a> 3-line S<\/b>[epe expugnaverunt] | Peccator lapidat innocentem<\/i> | Male figure, sinner, holding stone, striking another male, innocent, kneeling on ground, in prayer | Psalm 128 [129].
140v<\/a> 3-line D<\/b>[e profundis] | Ionas exit de uentre ceti<\/i> | Jonah, in loincloth, emerging from mouth of whale | Psalm 129 [130].
141r<\/a> 3-line D<\/b>[omine non est] | Mulier ablactat filium<\/i> | Female figure, sitting on bench, holding child, sitting on lap, feeding at breast | Psalm 130 [131].
141v<\/a> 3-line M<\/b>[emento domine] | Christus et mater eius surgunt de sepulchris<\/i> | Jesus Christ, cross-nimbed, and Virgin Mary, rising from tombs | Psalm 131 [132].
142v<\/a> 3-line E<\/b>[cce quam] | Moises ungit aaron in sacerdotium<\/i> | Moses anointing Aaron to priesthood. Moses, horned, before Aaron in conical hat, both gesturing in speech | Psalm 132 [133].
142v<\/a> 3-line E<\/b>[cce nunc] | Duo laudant deum<\/i> | Two male figures, gesturing in payer, praising God the Father, nimbed, emerging from above | Psalm 133 [134].
142v<\/a> 3-line L<\/b>[audate nomen] | Angelus luctatur cum iacob a ladder<\/i> | Jacob wrestling Angel. Jacob, confronting angel (no wings), descending ladder, both gesturing in speech | Psalm 134 [135].
143v<\/a> 3-line C<\/b>[onfitemini domino] | Iosue suspendit quinque reges<\/i> | Five kings hanged by Joshua. Three Amorite kings, crowned, in loin cloths, hands tied back, hanging from gallows, and male figure, tying rope | Psalm 135 [136].
144v<\/a> 3-line S<\/b>[uper flumina] | Iudeus suspendit orga(num) in salice<\/i> | Male figure, playing portative or positive organ upon willow tree by stream of water | Psalm 136 [137].
145r<\/a> 3-line C<\/b>[onfitebor tibi] | Flent reges<\/i> | Two kings, crowned, sitting on bench, one, gesturing in speech towards another, hand on chest, weeping, both flanked by two, partially visible figures, one crowned and another in hat | Psalm 137 [138].
145v<\/a> 3-line D<\/b>[omine probasti] | Rex ungit lumbos suos<\/i> | King, crowned, grasping rope girdle with sword at waist | Psalm 138 [139].
147r<\/a> 3-line E<\/b>[ripe me] | Duo pugiles pugnant<\/i> | Two male figures, holding weapons and shields raised, engaging in combat | Psalm 139 [140].
147v<\/a> 3-line D<\/b>[omine clamavi] | Rex respicit solem<\/i> | King, crowned, gesturing towards red sun | Psalm 140 [141].
148v<\/a> 3-line U | V<\/b>[oce mea] | Christus sepelitur<\/i> | Entombment of Christ. Jesus Christ, cross-nimbed, in loincloth, lying in sepulchre, and two male figures [Nicodemus and Joseph of Arimathea], holding jar, embalming body of Jesus Christ with spices and ointment | Psalm 141 [142].
149r<\/a> 3-line D<\/b>[omine exaudi] | Milites custodiunt sepulcrum<\/i> | Three soldiers, in helmets and chain mail, armed with swords and shields, guarding tomb of Jesus Christ | Psalm 142 [143].
150r<\/a> 3-line B<\/b>[enedictus dominus] | Dauid interficit Goliam<\/i> | David beheading Goliath. Young David, gesturing, and holding sword to neck of Goliath, kneeling on ground, bleeding from wounds | Psalm 143 [144].
151r<\/a> 3-line E<\/b>[xaltabo te deus] | No caption | Jesus Christ, cross-nimbed, gesturing in blessing, holding hand of unclothed David, crowned, half-submerged in waters, gesturing in speech | Psalm 144 [145].
152r<\/a> 3-line L<\/b>[auda anima] | Christus sanat dauid<\/i> | David, kneeling in prayer for healing before Jesus Christ, gesturing in blessing | Psalm 145 [146].
152v<\/a> 3-line L<\/b>[audate dominum] | Pulli coruorum uiuunt de rore cell<\/i> | Four black birds, ravens or crows, in nest | Psalm 146 [147].
153r<\/a> 3-line L<\/b>[auda Ierusalem] | Ihesus stat in turre Ierusalem<\/i> | Jesus Christ, cross-nimbed, gesturing in blessing, at top of tower of Jerusalem | Psalm 147 [147].
153v<\/a> 3-line L<\/b>[audate dominum] | Homo dicit angelo ut laudet deum<\/i> | Male figure and angel, gesturing in praise of God the Father | Psalm 148 [148].
154v<\/a> 3-line C<\/b>[antate domino] | Petrus tenet regem<\/i> | Peter, tonsured, holding hand of king, crowned | Psalm 149 [149].
155r<\/a> 3-line L<\/b>[audate] | Angeli in cimbalis et timpanis stant<\/i> | Two angels, playing music, cymbals and handbells | Psalm 150 [150].
<\/div>

Canticles<\/i><\/p>

Eleven 3-line historiated initials introducing each Canticle.<\/p>

155r<\/a> 3-line C<\/b>[onfitebor tibi] | Propheta confitetur<\/i>| Prophet Isaiah, bowing in confession before open book on altar | Canticle of Isaiah (Isaiah 12:1-6).
155v<\/a> 3-line E<\/b>[go dixi] | Propheta loquitur Ezechie egrotanti<\/i> | Healing of Hezekiah: Prophet Isaiah, gesturing in speech, addressing Hezekiah, crowned, lying sick in bed, hand to mouth, gesturing, asking for healing | Canticle of Ezekiel (Isaiah 38:10-20).
156v<\/a> 3-line E<\/b>[xultavit cor meum] | Canticum anne<\/i>. Peninnah mocking Hannah. Peninnah, in barbette, grasping head of one of two children, sitting on ground, gesturing in speech towards Hannah, veiled, head reclined on hand, weeping | Canticle of Anna [Hannah] (I Samuel 2:1-10).
157v<\/a> 3-line C<\/b>[antemus domino] | Soror moisi psallit pharaone submerso<\/i> | Victory song of Miriam. Pharaoh, crowned and on horseback, falling into water, drowning in Red Sea, and Miriam, sister of Moses, playing square frame drum(?), singing and dancing | First Canticle of Moses (Exodus 15:1-19).
159r<\/a> 3-line D<\/b>[omine audivi] | Abacuch propheta<\/i> | Habakkuk the prophet, lying in bed, covered with blanket, head reclined on hand. Swaddled Christ Child, nimbed(?) in manger, flanked by ox and donkey (ass) | Canticle of Habakkuk (Habakkuk 3:2-19).
160v<\/a> 3-line A<\/b>[udite celi] | Moises recitans legem coram filiis israel dicit<\/i>[?) | Moses, horned, presenting Tablets of Law before six Israelites, one grasping Tablets, another gesturing in speech | Second Canticle of Moses (Deuteronomy 32:1-43).
Folio 164r<\/a> 3-line T<\/b>[e deum] | Canticum angelorum<\/i>. Two clerics [heads partially erased], gesturing, singing in praise | Ambrosian Hymn.
165r<\/a> 3-line B<\/b>[enedicite omnia] | Tres pueri in fornace<\/i>. Three youths in Fiery Furnace. Shadrach, Meshach, and Abednego, hands on chest, in fiery furnace. Partial head of fourth figure visible behind, the Son of God, preincarnate Jesus Christ(?) | Canticle of the Three Holy Children (Daniel 3:57-88).
166r<\/a> 3-line B<\/b>[enedictus dominus] | Zacharias<\/i> | Zachariah, sitting with right hand gesturing towards long roll, held in left hand, resting unrolled on left knee | Canticle of Zachariah (Luke 1:68-79).
166v<\/a> 3-line M<\/b>[agnificat anima) | Angelus salutat uirginem<\/i> | Archangel Gabriel salutes Virgin Mary. Archangel Gabriel, before Virgin Mary, veiled and nimbed, holding book, both gesturing in speech | Canticle of the Virgin Mary (Luke 1:46-55).
167r<\/a> 3-line N<\/b>[unc dimittis] | Simeon tenens ihesum dicit, nunc dimittis<\/i>. Presentation of Jesus in Temple. Virgin Mary, veiled, and Simeon of Jerusalem, holding Christ Child over draped altar. Christ Child, cross-nimbed, gesturing towards Simeon | Canticle of Simeon (Luke 2:29-32).
<\/div>

Athanasian Creed<\/i><\/p>

167r<\/a> 3-line Q<\/b>[uicumque vult] | No caption | Jesus Christ cross-nimbed, sitting on bench, holding book propped up on left knee, gesturing in blessing.<\/p>

Litany of Saints<\/i><\/p>

168r<\/a> 3-line K<\/b>[yrieleison Christeleison] | No caption | Two clerics, tonsured, both kneeling, one holding open book, and gesturing, and another, bowing and gesturing towards book propped up open.<\/p>

Initials<\/b><\/p>

1-line alternating gold and blue initials (versals), with contrasting pen-flourishing in blue and red, introducing verses.<\/p>

Line-fillers<\/b><\/p>

Linear geometric and floral designs of gold, azure and vermilion as well as gilded zoomorphic line-fillers, are present throughout. These line-fillers depict animals in elongated forms, including monkeys, quadrupeds, birds (such as roosters, cranes, and peacocks), lizards, grasshoppers, and fish. From the mouths, maws, or beaks of these creatures, intricate pen flourishes extend, evolving into sheaves of red and blue threads. These threads form vertical marginal borders, occasionally extending into the lower margin of the leaf.<\/p>" }, { "label": "Medium", "value": "Ink; Paint; Gold leaf" }, { "label": "Acquisition", "value": "

Bequeathed to The John Rylands Library by Enriqueta Rylands (1843\u20131908) in 1908.<\/p>" }, { "label": "Title", "value": "Psalter of Joan of Navarre" }, { "label": "Layout", "value": "

One column, 19 lines to a page, written below the top line. Ruling is distinct throughout: ruled in plummet (lead point) with single vertical and horizontal bounding lines, extending the full height and width of page. No pricking marks visible.<\/p>

Calendar: Six columns, 32-33 lines. Single vertical and double horizontal bounding lines.<\/p>" }, { "label": "Bookseller(s)", "value": "Quaritch, Bernard 1819\u20131899" }, { "label": "Date of Creation", "value": "1220-1230" }, { "label": "Origin Place", "value": "France, Paris" }, { "label": "Origin", "value": "1220-1230 | France, Paris

The terminus post quem for the Psalter is 1220 because among the feasts in the Calendar (folio 6r<\/a>), although erased, is the translation of the relics of Saint Thomas Becket of Canterbury (July 7). Relating the format of minor decoration in the Leningrad and Philadelphia Psalters to one of the copies of the Bibles moralisees (Vienna, ONB, cod. 1179), Haussherr ascribed both manuscripts along with the Rylands Psalter to 1220-1230 (Reiner Haussherr, Freie Universitiit, interview with Elizabeth Anne Peterson, 19 July 1985).<\/p>" }, { "label": "Collation", "value": "

The manuscript consists of 23 quires, mostly of 8 leaves:<\/p>

Quire a4<\/sup>: one, endpaper (pastedown) lines the inner upper cover, and three flyleaves (1r-3v<\/a>)
Quire 16<\/sup> missing 1 and 5
Quire 2?8<\/sup> five: missing 1, 7, and 8?
Quire 32<\/sup> missing 2
Quires 48<\/sup>-78<\/sup> missing 5 (14r-44v<\/a>)
Quires 88<\/sup>-128<\/sup> (45r-84v<\/a>)
Quire 136<\/sup> (85r-90v<\/a>)
Quires 148<\/sup>-198<\/sup> missing 2 (91r-138v<\/a>)
Quires 208<\/sup>-238<\/sup> missing 7 and 8 (139r-168v<\/a>): two flyleaves (169r-170v<\/a>), and a third, endpaper (pastedown) lines the inner lower cover.
<\/div>
Modern quire signatures in Arabic numerals in pencil, in the lower right corner of the first leaf recto of each quire.

<\/p>No catchwords present." }, { "label": "Script", "value": "

Written in gothic textura semi-quadrata<\/i> by two scribes. Punctuated throughout with punctus elevatus, punctus interrogativus or punctus used to mark metrum and minor pauses, and punctus or punctus interrogativus used to mark the ends of verses.<\/p>

Folios 4r-84v<\/a> written in the hand of the first scribe.<\/p><\/div>

Folios 85r-168r<\/a> written in the hand of the second scribe.<\/p><\/div><\/div>" }, { "label": "Data Source(s)", "value": "Description based on M.R. James, A Descriptive Catalogue of the Latin Manuscripts in the John Rylands Library at Manchester<\/i> (Manchester, 1921), reprinted with an introduction and additional notes and corrections by F. Taylor (München, 1980), revised and expanded by Ourania Karapasia." }, { "label": "Alternative Title(s)", "value": "Psalter of Jeanne de Navarre; Psalter of Queen Jeanne of Navarre" }, { "label": "Language(s)", "value": "Latin" }, { "label": "Physical Location", "value": "The John Rylands Research Institute and Library" }, { "label": "Extent", "value": "169 leaves. Leaf height: 262 mm, width: 170 mm." }, { "label": "Additions", "value": "

Marginal or interlinear corrections and insertions have been made in various ways by the original scribe: <\/p>

Omission of text by means of strikethrough and superscription: 75v<\/a>, 81v<\/a><\/p>

Erasure of text and overwriting: 24r<\/a>, 26r<\/a>, 28r<\/a>, 34r<\/a>, 75r<\/a>, 84v<\/a>.<\/p>

Caret marks (Ë„) and interlineations or marginal additions: 44r<\/a>, 47r<\/a>, 61v<\/a>, 84r<\/a>.<\/p>

Erasures indicating post-Reformation political and religious censorship. The text has been scraped or rubbed off, or crossed (blacked) out with ink: 4r-7v<\/a>, and 168v<\/a><\/p>

Marginal annotation on folio 85r<\/a>, mainly extracting keywords, possibly in a fifteenth-century English hand, most likely that of Queen Joan of Navarre.<\/p>

The marginal numbering of the Psalms appears to correspond consistently with the numbering system found in the Hebrew Masoretic text (MT). It remains challenging to ascertain whether these numbers were added during the original production process of the manuscript or introduced by subsequent owners.<\/p>" }, { "label": "Classmark", "value": "Latin MS 22" }, { "label": "Subject(s)", "value": "Manuscripts, Latin (Medieval and modern); Manuscripts, Medieval--France--13th century; Illumination of books and manuscripts; Miniature painting; Bible--Illustrations; Psalters; Religion; Christianity" }, { "label": "Abstract", "value": "

The Psalter of Joan of Navarre stands as one of the most opulent examples of medieval illuminated manuscripts from the Western world. Created in France during the early thirteenth century, it is attributed to a Parisian workshop linked to the production of the Vienna Moralized Bibles.<\/p>

The manuscript is named after one of its distinguished owners, Joan of Navarre (1370?-1437), also known as Jeanne or Joanna, daughter of Charles II, King of Navarre (1332-1387). Joan held the title Duchess of Brittany from 1386 to 1399, and in 1403 became the second wife of Henry IV, King of England (1367-1413). The ownership of the manuscript is confirmed by her signature, inscribed as Royne Jahanne<\/i>. <\/p>

The manuscript begins with a Calendar (4r-7v<\/a>), though it is incomplete, missing two leaves that would cover the months of January, February, September and October. The remaining leaves feature miniatures depicting the labours of the months and the signs of the zodiac. Following the Calendar is an incomplete Prefatory Cycle (8r-12r<\/a>), consisting of five full-page miniatures, each containing ten medallions illustrating scenes from the Life of Christ. After the Calendar and the Prefatory Cycle comes the Psalter (14r-155rr<\/a>), which, although partially incomplete, missing small sections of text, otherwise contains the Vulgate version of all 150 Psalms, embellished with historiated initials. The manuscript concludes with eleven Canticles (155r\u2013167r<\/a>), an Athanasian Creed (167r-168r<\/a>), and ends with the Litany of Saints (168r<\/a>), though the Litany is also incomplete due to a missing leaf.<\/p>

In July 2024, the Library acquired one of the two missing leaves from the Psalter, completing Psalm 118[119], specifically verses 71\u201389. This newly acquired leaf appears to have been separated from the manuscript before its purchase by Lord Crawford in 1869. During much of the twentieth century, it passed through the hands of various private collectors. Most recently, it was part of the Böhlen Collection, owned by Dr. Ernst Böhlen, who consigned it to Sotheby\u2019s in 2024.<\/p>

Notable for its extensive illustrative programme, the manuscript had been the subject of a special notice by the librarian and historian Léopold Delisle (1826-1910), who described it, as parmi les chefs-d'œuvre de l'art français du XIIIe<\/sup> siècle'<\/i> | among the masterpieces of thirteenth-century French art .<\/p>

Following Delisle\u2019s work in the nineteenth century, the manuscript has been studied and discussed iconographically and stylistically as one of a group of six thirteenth-century French psalters, known as the fully illustrated Psalter group<\/i>. This features a rich body of illustration within the Psalms text and is further enhanced by the rubrics accompanying the historiated initials.<\/p>

Subsequent revisions of the corpus include a number of scholarly additions or subtractions. The most recent discussion of the group (Peterson, 2004), contains the following manuscripts alongside Latin MS 22:

Moore Psalter (Cambridge University Library: MS Ee.4.24)<\/a>
La Charité Psalter (British Library: Harley MS 2895)
Psalter (National Library of Russia: MS Lat.Q.v.I.67)
Amiens Psalter (Biblothèque nationale de France: Latin 10435<\/a>)
Lewis Psalter (Free Library of Philadelphia: Lewis E 185<\/a>)
Bute Psalter (J. Paul Getty Museum: MS 46<\/a>)
<\/div>
<\/p>

There are several differences between all seven manuscripts, mainly in the state in which they preserve the contents normally found in Psalters. For instance, each manuscript contains the Book of Psalms in Latin, but they do not all preserve the usual textual accompaniments. The canticles are included in all manuscripts, but there is no calendar in the Amiens or Bute Psalters, no litany in the Harley, Cambridge, or Amiens manuscripts, and no additional prayers in the Rylands, Cambridge, or Amiens manuscripts. Also, the prayers in the Bute Psalter were added in the fourteenth century. While these differences might hold back attempts to localise and date the manuscripts, they do not substantially impede discussions of the fully- and extensively- illustrated psalter components (Peterson, 2004).<\/p>" }, { "label": "Collection", "value": "Latin Manuscripts" }, { "label": "Bibliography", "value": "

James, Montague Rhodes, and Frank Taylor. A Descriptive Catalogue of the Latin Manuscripts in the John Rylands University Library, comprising a reprint of M.R. Jame\u2019s 1921 Catalogue, with Introduction and Additional Notes by F. Taylor. Kraus Reprint, 1980, pages 64-71<\/a><\/div>
Peterson, Elizabeth Anne. Accidents and Adaptations in Transmission among Fully-Illustrated French Psalters in the Thirteenth Century. Zeitschrift Für Kunstgeschichte, 50, 1987, pages 375\u2013384<\/a><\/div>
\"Notes & News. Bulletin of the John Rylands Library, 1963, pages 1-13<\/a><\/div>
Zaluska, Yolande. Le Psautier Manchester, John Rylands University Library, ms. lat. 22 et les Évangiles dans la Bible moralisée. In: Iconographica. Mélanges offerts à Piotr Skubiszewski. Poitiers: Centre d'études supérieures de civilisation médiévale, 1999, pages 231-250<\/a><\/div>
Delisle, Léopold. Notice sur un psautier du XIIIe siècle appartenant au comte de Crawford. In: Bibliothèque de l'école des chartes, 50, 1897, pages 381-393<\/a><\/div>
Vidas, Marina. The Christina Psalter: A Study of the Images and Texts in a French Early Thirteenth-Century Illuminated Manuscript. Museum Tusculanum Press University of Copenhagen, 2006<\/a><\/div>
Branner, Robert. Manuscript Painting in Paris during the Reign of Saint Louis: A Study of Styles. University of California Press, 1977<\/a><\/div>
Haussherr, Reiner. Bible Moralisée: Faksimile-Ausgabe Im Originalformat Des Codex Vindobonensis 2554 Der Österreichischen Nationalbibliothek. Akademische Druck- Und Verlagsanstalt; Club Du Livre, 1973<\/a><\/div>
Haussherr, Reiner. Ein Pariser Martyrologischer Kalender Aus Der Ersten Hälfte Des 13. Jahrhunderts. L. Röhrscheid, 1, 1972<\/a><\/div><\/div>
" }, { "label": "Foliation", "value": "

1-170: modern foliation in pencil in the upper right corner of each recto: 1-3 (flyleaves) + 4-12 + 13 blank + 14-91 + 93(bis?)-168 + 169-170 (flyleaves).<\/p>

Error in foliation: 92 has been omitted from sequence, and the numbering skips from 91 to 93(bis?).<\/p><\/p>" }, { "label": "Format", "value": "Codex" }, { "label": "Material(s)", "value": "Parchment" }, { "label": "Associated Person(s)", "value": "Delisle, Léopold, 1826-1910" }, { "label": "Accompanying Material", "value": "

Newly acquired leaf missing between folios 132v and 133r, now forms a separate part of the manuscript: Latin MS 22 A<\/a>.<\/p>" }, { "label": "Donor(s)", "value": "Rylands, Enriqueta, 1843-1908" }, { "label": "Condition", "value": "

The manuscript is incomplete and damaged, with several leaves excised and removed at various points, leading to the loss of both text and illuminations. Additionally, intentional damage is evident in several areas where the manuscript has been defaced, likely due to the nature of its content.<\/p>" }, { "label": "Provenance", "value": "

The manuscript was produced in Paris around the brief reign of of Louis VIII (1223\u20131226), situated chronologically between the reigns of Philip Augustus (1180\u20131223) and Louis IX (1226\u20131270). As noted by Léopold Delisle (1826-1910), librarian and historian in 1897, it represents one of the masterpieces of French art from the thirteenth century. Delisle suggested that the manuscript was likely created for a member of the royal family, a prominent aristocrat, or a high-ranking courtier. It is presumed to have remained within the sphere of the French royal family, passing from one generation to the next for approximately two centuries, until its eventual ownership by:<\/p>

â–ª Joan of Navarre (1370?-1437), Queen of Henry IV of England<\/p>

On folio 2v<\/a> the inscription Royne Jahanne<\/i> appears, which Delisle (1897, page 388) pronounced to be undoubtedly the signature of Queen Joan.<\/p>

â–ª Sir Henry Mainwaring (1782\u20131860), 1st Baronet of Over Peover<\/p>

The inner front cover (pastedown) bears the armorial bookplate (Ex Libris) indicating that the codex once belonged to Sir Henry Mainwaring, Bart.<\/p>

Armorial bookplate (Ex Libris)<\/a> | Arms: Quarterly, 1st and 4th, Argent, two bars Gules; 2nd and 3rd, Azure, three garbs Or. Over all, an inescutcheon Argent, a sinister hand Gules. Motto in French: DDEVANT SI JE PUIS<\/i> (Foremost if I can) | Sir Henry Mainwaring, Bart.<\/p>

â–ª James Crossley FSA (1800-1883), writer and book collector<\/p>

Lot 488 in the Peover Hall (Cheshire) Sale Catalogue of 28 August 1837 and the five following days, where it was incorrectly described as a 'Missale'. It was bought there by James Crossley for £42. Sir Henry Mainwaring had succeeded to Peover in 1798.<\/p>

â–ª Alexander Lindsay, 25th Earl of Crawford (1812\u20131880), book collector and writer on art <\/p>

The manuscript was purchased by Lord Lindsay for £145.1s from Bernard Quaritch (1819\u20131899), bookseller and publisher on 10 September 1869 (CLL, 1869, nos. 252-253, 262 and, particularly, 265; CRL, 1863-1870, no. 1321). Crossley's library was not sold until 1884 and 1885.<\/p>

The inner front cover<\/a> (pastedown) bears the armorial bookplate (Ex Libris) identifying the codex as having once been part of the Bibliotheca Lindesiana, the private library of the Lindsay family Earls of Crawford and Balcarres.<\/p>

Armorial bookplate (Ex Libris)<\/a> | Arms: Quarterly, 1st and 4th, Gules a fess chequy Argent and Azure; 2nd and 3rd, Or a lion rampant Gules, debruised of a ribbon in bend Sable. Crest: a swan\u2019s head, neck, and wings proper, issuing from an antique ducal coronet Or. Supporters: two lions, rampant guardant Gules. Motto in Latin: ENDURE FORT<\/i> (Endure bravely) | Bibliotheca Lindesiana | pencilled E/4<\/i>.<\/p>

Rectangular paper label on upper left corner: Latin MSS. | No. 22 | Crawford<\/i>.<\/p>

On folio 1r<\/a> a handwritten note in pencil by Lord Lindsay. He had thought the signature on folio 2v<\/a> to be that of Joan who had married Alexander II of Scotland (CLL, Jan.-March 1895, no. 94).<\/p>

â–ª James Ludovic Lindsay, 26th Earl of Crawford (1847-1913), astronomer and book collector<\/p>

With Lord Crawford's permission the manuscript was taken to Paris in October 1895 by his librarian Mr Edmond so that Delisle could examine it (CLL, July-Sept. 1895, nos. 670, 678; ibid. Oct.-Dec. 1895, nos. 691, 712). In December 1895, Delisle identified the signature as belonging to Joan of Navarre (ibid. Oct.-Dec. 1895, nos. 970-971). After conducting a comparative analysis with four other known autographs of Joan, Delisle concluded that La signature ROYNE JAHANNE est incontestablement celle de Jeanne de Navarre<\/i> (Delisle, 1897, page 388).<\/p>

â–ª Enriqueta Rylands (1843\u20131908), philanthropist and founder of The John Rylands Library<\/p>

Purchased by Mrs Rylands in 1901 from James Ludovic Lindsay, 26th Earl of Crawford (1847-1913).<\/p>" }, { "label": "Date of Acquisition", "value": "1908" } ], "@type": "sc:Manifest", "attribution": "Provided by The University of Manchester.

Zooming image © University of Manchester Library, All rights reserved.<\/p> Images made available for download are licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0). 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Life of Christ | Infancy" }, { "canvases": ["https://www.digitalcollections.manchester.ac.uk/iiif/MS-LATIN-00022/canvas/19"], "@type": "sc:Range", "@id": "https://www.digitalcollections.manchester.ac.uk/iiif/MS-LATIN-00022/range/ITEM-13", "label": "II. Life of Christ | Ministry | I" }, { "canvases": ["https://www.digitalcollections.manchester.ac.uk/iiif/MS-LATIN-00022/canvas/21"], "@type": "sc:Range", "@id": "https://www.digitalcollections.manchester.ac.uk/iiif/MS-LATIN-00022/range/ITEM-14", "label": "III. Life of Christ | Ministry | II" }, { "canvases": ["https://www.digitalcollections.manchester.ac.uk/iiif/MS-LATIN-00022/canvas/23"], "@type": "sc:Range", "@id": "https://www.digitalcollections.manchester.ac.uk/iiif/MS-LATIN-00022/range/ITEM-15", "label": "IV. 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"Canticle of the Virgin Mary (Luke 1:46-55)" }, { "canvases": ["https://www.digitalcollections.manchester.ac.uk/iiif/MS-LATIN-00022/canvas/333"], "@type": "sc:Range", "@id": "https://www.digitalcollections.manchester.ac.uk/iiif/MS-LATIN-00022/range/ITEM-200", "label": "Canticle of Simeon (Luke 2:29-32)" }, { "canvases": [ "https://www.digitalcollections.manchester.ac.uk/iiif/MS-LATIN-00022/canvas/347", "https://www.digitalcollections.manchester.ac.uk/iiif/MS-LATIN-00022/canvas/348" ], "@type": "sc:Range", "@id": "https://www.digitalcollections.manchester.ac.uk/iiif/MS-LATIN-00022/range/ITEM-203", "label": "Missing leaf | Psalm 118:71\u201389" } ], "description": "

The Psalter of Joan of Navarre stands as one of the most opulent examples of medieval illuminated manuscripts from the Western world. Created in France during the early thirteenth century, it is attributed to a Parisian workshop linked to the production of the Vienna Moralized Bibles.<\/p>

The manuscript is named after one of its distinguished owners, Joan of Navarre (1370?-1437), also known as Jeanne or Joanna, daughter of Charles II, King of Navarre (1332-1387). Joan held the title Duchess of Brittany from 1386 to 1399, and in 1403 became the second wife of Henry IV, King of England (1367-1413). The ownership of the manuscript is confirmed by her signature, inscribed as Royne Jahanne<\/i>. <\/p>

The manuscript begins with a Calendar (4r-7v<\/a>), though it is incomplete, missing two leaves that would cover the months of January, February, September and October. The remaining leaves feature miniatures depicting the labours of the months and the signs of the zodiac. Following the Calendar is an incomplete Prefatory Cycle (8r-12r<\/a>), consisting of five full-page miniatures, each containing ten medallions illustrating scenes from the Life of Christ. After the Calendar and the Prefatory Cycle comes the Psalter (14r-155rr<\/a>), which, although partially incomplete, missing small sections of text, otherwise contains the Vulgate version of all 150 Psalms, embellished with historiated initials. The manuscript concludes with eleven Canticles (155r\u2013167r<\/a>), an Athanasian Creed (167r-168r<\/a>), and ends with the Litany of Saints (168r<\/a>), though the Litany is also incomplete due to a missing leaf.<\/p>

In July 2024, the Library acquired one of the two missing leaves from the Psalter, completing Psalm 118[119], specifically verses 71\u201389. This newly acquired leaf appears to have been separated from the manuscript before its purchase by Lord Crawford in 1869. During much of the twentieth century, it passed through the hands of various private collectors. Most recently, it was part of the Böhlen Collection, owned by Dr. Ernst Böhlen, who consigned it to Sotheby\u2019s in 2024.<\/p>

Notable for its extensive illustrative programme, the manuscript had been the subject of a special notice by the librarian and historian Léopold Delisle (1826-1910), who described it, as parmi les chefs-d'œuvre de l'art français du XIIIe<\/sup> siècle'<\/i> | among the masterpieces of thirteenth-century French art .<\/p>

Following Delisle\u2019s work in the nineteenth century, the manuscript has been studied and discussed iconographically and stylistically as one of a group of six thirteenth-century French psalters, known as the fully illustrated Psalter group<\/i>. This features a rich body of illustration within the Psalms text and is further enhanced by the rubrics accompanying the historiated initials.<\/p>

Subsequent revisions of the corpus include a number of scholarly additions or subtractions. The most recent discussion of the group (Peterson, 2004), contains the following manuscripts alongside Latin MS 22:

Moore Psalter (Cambridge University Library: MS Ee.4.24)<\/a>
La Charité Psalter (British Library: Harley MS 2895)
Psalter (National Library of Russia: MS Lat.Q.v.I.67)
Amiens Psalter (Biblothèque nationale de France: Latin 10435<\/a>)
Lewis Psalter (Free Library of Philadelphia: Lewis E 185<\/a>)
Bute Psalter (J. Paul Getty Museum: MS 46<\/a>)
<\/div>
<\/p>

There are several differences between all seven manuscripts, mainly in the state in which they preserve the contents normally found in Psalters. For instance, each manuscript contains the Book of Psalms in Latin, but they do not all preserve the usual textual accompaniments. The canticles are included in all manuscripts, but there is no calendar in the Amiens or Bute Psalters, no litany in the Harley, Cambridge, or Amiens manuscripts, and no additional prayers in the Rylands, Cambridge, or Amiens manuscripts. Also, the prayers in the Bute Psalter were added in the fourteenth century. While these differences might hold back attempts to localise and date the manuscripts, they do not substantially impede discussions of the fully- and extensively- illustrated psalter components (Peterson, 2004).<\/p>", "logo": "https://www.digitalcollections.manchester.ac.uk/mirador-ui/uom_logo.png", "@id": "https://www.digitalcollections.manchester.ac.uk/iiif/MS-LATIN-00022", "label": "Psalter of Joan of Navarre (Latin MS 22)", "sequences": [{ "canvases": [ { "images": [{ "resource": { "@type": "dctypes:Image", "service": { "profile": "http://iiif.io/api/image/2/level1.json", "@id": "https://image.digitalcollections.manchester.ac.uk/iiif/MS-LATIN-00022-000-00001.jp2", "@context": "http://iiif.io/api/image/2/context.json" }, "format": "image/jpg", "width": 4805, "@id": "https://image.digitalcollections.manchester.ac.uk/iiif/MS-LATIN-00022-000-00001.jp2", "height": 6500 }, "@type": "oa:Annotation", "motivation": "sc:painting", "on": 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