{ "viewingDirection": "left-to-right", "metadata": [ { "label": "Former Owner(s)", "value": "Gould, George Jay, 1864-1923; Beatty, A. Chester (Alfred Chester), Sir, 1875-1968; Millard, George M., Mrs., 1873-1938; Doheny, Estelle, 1875-1958; Hoffmann, Ladislaus von, 1927-2014" }, { "label": "Binder(s)", "value": "Maestro Luigi de Gava (or de Gradi)" }, { "label": "Binding", "value": "

Sixteenth-century binding of full red morocco extensively gilt and blind-tooled, each cover including the Colonna arms in the centre and a Colonna column to each side, and a doubled-headed eagle in each corner; spine with Renaissance interlace decoration; leaves with gilt edges, traces of four ties. Red morocco-backed solander box.<\/p>

Anthony Hobson (1975) has identified the binding as being by Maestro Luigi de Gava (or de Gradi), a bookbinder to several popes and other important patrons, and was binding for the Sistine Chapel and the capella segreta between 1542 and at least 1565.<\/p>Spine repaired with old leather laid on, some scuffing, and traces of four ties.

Binding height: 387 mm, width: 273 mm, depth: 49 mm. <\/p>" }, { "label": "Technique(s)", "value": "Handwriting; Illumination (image-making process)" }, { "label": "Decoration", "value": "

The decoration seems to have been executed in at least three stages by at least three main artists, possibly with contributions by several others: the volume thus represents a compendium of Renaissance illumination of the 1530s to 1550s.<\/p>

The work of the various illuminators is not easy to distinguish with complete confidence, but the historiated initials and border decorations in the first quire are painted using a wide variety of decorative motifs in especially deep rich colours, predominantly green, blue, red, and a purplish colour, usually on a matte gold ground, and the decorative motifs include symmetrical leaf forms, dolphins, and human masks; this section presumably dates from before Pompeo's death.<\/p>

The decoration of the second quire is in a style close to the artist Vincenzo Raimondi (-1556), also known as Vincent Raymond de Lodève, who painted the most important pages in the Psalter of Pope Paul III (Paris, BnF, ms Latin 8880<\/a>, folios 182v-183r, see J.J.G. Alexander, The Painted Page, 1994, no. 129), using paler colours and a greater use of bare vellum grounds often with fine gold horizontal hatching. This artist is notable for his naturalistic human faces in profile on folios 9v<\/a> and 12r<\/a>, and a highly naturalistic bird on folio 14r<\/a> and butterfly on folio 17v<\/a>. The profile face on folio 35v<\/a> is extremely like the one on folio 9v<\/a>, while the initial on folio 47v<\/a> is very much like those on folios 13v<\/a> and 17v<\/a>, allowing us to attribute these two leaves to the same artist. This section includes the date 1539, and is thus contemporary with Michelangelo's work on the Last Judgment fresco in the Sistine Chapel -- widely believed to be his masterpiece -- which was begun in 1535 and finished in 1541.<\/p>

The third quire contains the work of perhaps two more artists: that on folios 19v<\/a> and 21r<\/a> falls somewhere between the styles of the first two, while that on folios 22r-23r<\/a> introduces fine pen-sprays emanating from bezants on the plain vellum ground but is otherwise very similar to the artist of the first quire. There is yet more variation in the following leaves (23v-27r<\/a>, including the wonderful blue-face-and-foliage decoration in the margin of 25v<\/a>, suggesting the possible involvement of more artists, or a deliberate attempt by the main artists to avoid repetition.<\/p>

The artist responsible for the two most important leaves: 43r<\/a> and 70r<\/a>, was Apollonio de' Bonfratelli (c1500-1575), who in 1556 succeeded Vincenzo Raimondi as official illuminator of the Sistine Chapel. Emilia Anna Talamo (Professor of History of Modern Art at the University of Calabria) bases this attribution on stylistic similarities with illuminations certainly executed by Apollonio among the choir books of the Sistine Chapel. This attribution was independently confirmed by Maria Saffiotti Dale (Curator of Paintings, Sculpture, and Decorative Arts at the Chazen Museum of Art). Apollonio presumably worked on the present volume circa 1555 when two other volumes were added to the set.<\/p><\/p>

Miniatures<\/b><\/p>

The subjects of the two miniatures by Apollonio de' Bonfratelli are as follows:<\/p>

43r<\/a> 8-line miniature | Presentation in the Temple, overlaid with the initial S<\/b>[uscepimus deus] on a trompe-l'oeil flap of vellum; camaïeu-d'or border decoration almost the full height of the page.
70r<\/a> 8-line miniature | Christ in the Tomb held by two angels, containing the initial T<\/b>[e igitur].
<\/div>

Initials<\/b><\/p>

The initials are beautifully illuminated, filled with intricate designs and colours. They often contain detailed artwork, such as figures, plants, or other symbolic elements.<\/p>

It contains 91 large initials and 272 smaller ones.<\/p>

Thirty-three 3-line illuminated initials, inhabited, floriated and historiated, in colours on a gold ground or vice versa.<\/p>

Borders<\/b><\/p>

Borders run along the side of the initials and are decorated with similar intricate designs. These borders often include floral or geometric patterns, animals, and sometimes religious or symbolic imagery.<\/p>

List of initials and marginal border decorations<\/b><\/p>1r<\/a> 3-line D<\/b>[eus qui] | Saint John the Evangelist; foliate border decoration.
1v<\/a> 3-line C<\/b>[arissime appa] | Saint Mark; border decoration with masks and Colonna arms.
2v<\/a> 3-line M<\/b>[unda cor] | Two dolphins.
3r<\/a> 3-line D<\/b>[ominus fit] | Saint Matthew; blue foliate border decoration.
3v<\/a> 3-line I<\/b>[n illo tempore] | Border decoration with 'IHS' monogram.
4r<\/a> 3-line C<\/b>[redo in u] | Green foliate border decoration with mask.
4v<\/a> 3-line S<\/b>[uscipe sancte] | Border decoration with half-length male nude.
5r<\/a> 3-line D<\/b>[eus qui] | Saint Luke; border decoration with half-length female nude carrying an amphora on her head.
5v<\/a> 3-line U | V<\/b>[eni sanctificator] | Saint Jerome; foliate border decoration.
6r<\/a> 3-line O<\/b>[f-ferimus tibi] | Saint Gregory(?).
6r<\/a> 3-line I<\/b>[n spiritu].
7r<\/a> 3-line S<\/b>[uscipe sancta] | Foliate border decoration with a woman carrying one child and leading another by its hand.
7v<\/a> 3-line O<\/b>[rate fratres] | Saint Augustine(?); green foliate border decoration.
9v<\/a> 3-line U | V<\/b>[ere dignum] | Partial human face in profile, enclosing an Agnus dei; gold foliate border decoration on a blue panel.
12r<\/a> 3-line C<\/b>[omunicantes et diem] | Bust of a female saint in profile, with a ladybird or beetle; foliate border decoration.
13v<\/a> 3-line H<\/b>[ec nos comunio] | Hybrid bird with a snake in its beak; border decoration with a winged female nude figure and an armillary sphere.
14r<\/a> 3-line P<\/b>[laceat tibi] | Woodpecker perching; foliate border decoration.
15r<\/a> 3-line S<\/b>[urge illuminare] | Pearls and intaglio gemstones; border decoration of honeysuckle(?) growing around a bamboo trellis.
16v<\/a> 3-line M<\/b>[unda cor meum] | Border decoration with half-length nude male hybrid carrying a basket on his head.
17r<\/a> 3-line D<\/b>[ominus fit] | Colonna arms surmounted by a green bishop's hat; border decoration with winged cherub's head, black intaglio gemstone, and cartouche with the date 21 May 1539.
17v<\/a> 3-line C<\/b>[um natum] | Entwined dolphins, enclosing a butterfly or moth; border decoration including interlace designs on an interlace panel.
19v<\/a> 3-line C<\/b>[redo in u] | Border decoration with half-length female nude with a basket of fruit on her head.
21r<\/a> 3-line S<\/b>[uscipe sancte] | Foliate border decoration.
22r<\/a> 3-line D<\/b>[eus qui] | White foliate border decoration with mask.
22v<\/a> 3-line O<\/b>[fferimus tibi] | Border decoration with eagle.
23r<\/a> 3-line I<\/b>[n spiritu] | Foliate border decoration springing from a ram's head.
23v<\/a> 3-line U | V<\/b>[eni sanctificator] | Border decoration with winged half-length female nude.
24r<\/a> 3-line S<\/b>[uscipe sancta] | Foliate border decoration with naked infant and a colourful bird above.
25r<\/a> 3-line O<\/b>[rate fratres] | Child dressed in armour(?); foliate border decoration.
25v<\/a> 3-line E<\/b>[cclesie tue] | Blue foliate border decoration with mask.
26r<\/a> 3-line P<\/b>[er omnia] | Green foliate border decoration with mask.
27r<\/a> 3-line U | V<\/b>[ere dignum] | Saint Ambrose; blue foliate border decoration with mask.
35v<\/a> 3-line D<\/b>[omine sancte] | Partial human face in profile with open mouth, enclosing an antique cameo; foliate border decoration with putto.
47v<\/a> 3-line H<\/b>[ec dicit] | Mythical winged dolphin with a papal bulla(?) hanging from its mouth; border decoration with cameo: deacon(?) with open book on stand, behind a priest at an altar; the Dove of the Holy Spirit above, a human head below.
<\/div>

The rubrics frequently allow for the presence of the pope on folios 20v<\/a> | 21v-22r<\/a> | 44r-44v<\/a> | 51v<\/a>, and so on, but the contemporary bifolium which upsets the regularity of the collation, contains a long rubric detailing the actions of a cardinal if the pope is absent: Papa vero absente cardinalis celebraturus prevenit ad ecclesiam sive capellam ...<\/i> (folio 35r<\/a>).<\/p>" }, { "label": "Medium", "value": "Ink; Paint; Gold leaf" }, { "label": "Acquisition", "value": "

Purchased by The John Rylands Library on 6 July 2011, the precious manuscript fetched a total of £188,750. Funding for the acquisition was generously provided by the Art Fund, the MLA/V&A Purchase Grant Fund, Friends of The John Rylands, the B.H. Breslauer Foundation, and the Friends of the National Libraries.<\/p>" }, { "label": "Title", "value": "Colonna Missal II" }, { "label": "Layout", "value": "

One column, 15 lines to the page, written below the top line.<\/p>

Ruled in very pale brown ink, visible in places, with thirty horizontal lines and two vertical bounding lines; no evidence of pricking.<\/p>

Folios 34v, 42v, 69v, 97r are blank.<\/p>

Ruled height: 255 mm, width: 160 mm. <\/p>" }, { "label": "Bookseller(s)", "value": "Quaritch, Bernard 1819\u20131899" }, { "label": "Artist(s)", "value": "Bonfratelli, Apollonio de, approximately 1500-1575" }, { "label": "Date of Creation", "value": "1532-1555" }, { "label": "Origin Place", "value": "Italy, Rome" }, { "label": "Collation", "value": "

1 endleaf
Quire 18<\/sup>
Quire 29<\/sup> (of 10, missing vii)
Quire 38<\/sup>
Quire 412<\/sup> (of 10, plus a bifolium ix and x)
Quires 5-910<\/sup>
Quire 109<\/sup> (of 10, missing x)
1 endleaf
<\/div>
Catchwords in the lower margin of the verso of the final leaf of each quire: 8v<\/a> | 17v<\/a> | 25v<\/a> | 37v<\/a> | 47v<\/a> | 54v<\/a>, 68v<\/a> | 77v<\/a> | 87v<\/a>." }, { "label": "Script", "value": "

Written in large gothic textura rotunda<\/i> hand, in red and black ink, with ascenders on top lines and descenders on bottom lines.<\/p><\/div><\/div>" }, { "label": "Language(s)", "value": "Latin" }, { "label": "Physical Location", "value": "The John Rylands Research Institute and Library" }, { "label": "Extent", "value": "Volume 2 of 7, 97 leaves." }, { "label": "Additions", "value": "

An interesting case of 'indulgence inflation' can be observed on folio 95r<\/a> where a piece of paper has been stuck over one word in the prayer (line 4), to increase the indulgence from seven to ten years: ...omnibus hic presentibus decem<\/b> annos ...<\/i> .<\/p>" }, { "label": "Classmark", "value": "Latin MS 32a" }, { "label": "Subject(s)", "value": "Manuscripts--Italy--16th century; Missals; Prayers; Musical notation; Bible--Illustrations; Religion; Christianity; Illumination of books and manuscripts; Miniature painting; Marginal illustrations; Initials" }, { "label": "Abstract", "value": "

The Colonna Missal was commissioned by Cardinal Pompeo di Girolamo Colonna (1479-1532) for use in some of the most important masses of the year in the Sistine Chapel, Rome. The manuscript as a whole was unfinished at the time of his death and, the entire manuscript, comprising seven volumes, was finally completed after twenty-three years, in 1555.<\/p>

It contains the Masses of the Octave of the Nativity of Christ (1r-14v<\/a> - missing the first leaf), the Epiphany (15r-42v<\/a> - missing the first leaf), the Purification of the Virgin (43r-69r<\/a>), the Canon of the Mass (70r-96v<\/a> - missing the last leaf), and table of contents - index (97v<\/a>).<\/p>

In July 2011 the Library acquired the \u2018missing\u2019 volume of the Colonna Missal. The purchase reunited all seven extant volumes of the Colonna Missal for the first time in at least 150 years. Its companion six volumes (Latin MSS 32-37) were purchased by Alexander Lindsay, 25th Earl of Crawford, obtained from Thomas Boone in 1868. They were acquired by Enriqueta Rylands in 1901 as part of the landmark purchase of the Crawford manuscripts for The John Rylands Library.<\/p>

The present volume (actually the second in chronological sequence of the Rylands set) became separated from the others at some date before 1868. Lord Crawford turned down the opportunity of purchasing it from Quaritch in 1895. It resided in the United States for much of the twentieth century, owned by a series of private collectors. Most recently it belonged to the owner of the Arcana Collection, Ladislaus von Hoffmann, who consigned it to Christie\u2019s in 2011.<\/p>" }, { "label": "Collection", "value": "Latin Manuscripts" }, { "label": "Bibliography", "value": "

James, Montague Rhodes, and Frank Taylor. A Descriptive Catalogue of the Latin Manuscripts in the John Rylands University Library, comprising a reprint of M.R. Jame\u2019s 1921 Catalogue, with Introduction and Additional Notes by F. Taylor. Kraus Reprint, 1980, pages 18*-20*, xxvi, 87-95<\/a><\/div>
Christie's. The Arcana Collection: Exceptional Illuminated Manuscripts, Part III. The Colonna Missal, Use of the Sistine Chapel, Illuminated Manuscript on Vellum. Live Auction 7982, lot 27, 6 July 2011<\/a><\/div>
Doheny, Estelle, and University of Southern California. Library. The Book as a Work of Art: An Exhibition of Books and Manuscripts from the Library of Mrs. Edward Laurence Doheny. Printed by W. Ritchie, 1935, pages 13, 24-25, no. 7<\/a><\/div>
Schad, Robert Oliver and Zamorano Club. Addresses at a Meeting of the Zamorano Club, May 6, 1950. Edward Laurence Doheny Memorial Library, St. John\u2019s Seminary, 1950, page 31, no. 9<\/a><\/div>
Miller, Lucille V, and St John\u2019s Seminary (Camarillo, Calif). Library Estelle Doheny Collection. Catalogue of Books & Manuscripts in the Estelle Doheny Collection. Ward Ritchie Press, I, 1940, page 5<\/a><\/div>
Ricci, Seymour de and Wilson, William Jerome. Census of Medieval and Renaissance Manuscripts in the United States and Canada: 1, 1935, page 21 no. 5<\/a><\/div>
Hobson, Anthony. Apollo and Pegasus: An Enquiry into the Formation and Dispersal of a Renaissance Library. Van Heusden, 1975, pages 71 and 73, plate VII<\/a><\/div><\/div>
" }, { "label": "Foliation", "value": "

Sixteenth-century ink foliation in Roman numerals; missing i, xvi, and ends at lxxxxiiii.<\/p>

1-97: modern pencil foliation in Arabic numerals by Eric Millar circa 1925, in the upper right corner of each recto.<\/p><\/p>" }, { "label": "Format", "value": "Codex" }, { "label": "Material(s)", "value": "Parchment" }, { "label": "Associated Person(s)", "value": "Raimondi, Vincenzo, -1556; Bradley, John W. (John William), 1830\u20131916; Doheny, Edward L. (Edward Laurence), 1856-1935" }, { "label": "Music notation", "value": "Black square notation on 3- and 4-line red staves on folios: 4r<\/a> | 8v-12r<\/a> | 19v<\/a>| 26r-29r<\/a> | 44v<\/a> | 55r<\/a> | 65r-68v<\/a> | 80v-83v<\/a> | 85v-86r<\/a>." }, { "label": "Provenance", "value": "

▪ Cardinal Pompeo di Girolamo Colonna (1479-1532), noble, condottiero, and politician<\/p>

▪ Colonna family<\/p>

This volume is part of a set commissioned by Cardinal Pompeo Colonna, though its decoration was not completed until approximately twenty-three years after his death.By descent, the manuscript passed to other members of the Colonna family.<\/p>

The Colonna arms appear on the binding as well as on several leaves. The most notable example is the 3-line initial D<\/i> on folio 17r<\/a>, which contains the Colonna arms: Gules, a column Argent, its base and capital or, surmounted by a crown of the same; surmounted by a green bishop's galero (hat), with green cords and six tassels to each side. Adjacent to it, the border decoration includes a cartouche with the date 21 May 1539. The Colonna arms also appear in other volumes that form the rest of the set, Latin MSS 32\u201337. Notably, Latin MS 32: folio 77r<\/a>, which contains the inscription: DIVO POMPEIO<\/i> | CARDINALI COLUMNAE<\/i> (see James and Taylor, 1980, pages 87-95, citing the present volume in James's Addenda and Corrigenda on page xxvi, and discussing it in Taylor's Additional Notes on pages 18*-20*).<\/p>

Two additional volumes were added to the set in 1555. One of these, Latin MS 35: folio 94v<\/a>, bears a colophon by the Venetian scribe Johannes Rochus. It is likely that the original volumes were completed and bound around this time.<\/p>

The present manuscript is inscribed N2<\/i> in eighteenth(?) century ink on the inner front cover<\/a>, while the companion volumes (Latin MSS 32\u201337) are similarly marked N1 | N3\u2013N7<\/i>. These volumes were reportedly seen in the Sciarra Colonna library in Rome in 1874 by John William Bradley (1830\u20131916), librarian and manuscript scholar. However, this date must be incorrect, as the Rylands volumes were acquired by Lord Crawford in June 1868 (see James and Taylor, 1980, page 19*).<\/p>

▪ George Jay Gould (1864-1923), Manhattan financier<\/p>

The inner front cover<\/a> bears the armorial bookplate: Ex Libris George J. Gould<\/i> | Georgian Court<\/i>, now the home of the Georgian Court University at Lakewood, New Jersey. His sale at the Anderson Galleries, New York, 12 March 1925, lot 257 with reproduction, bought by Gabriel Wells for $1,550.<\/p>

▪ Sir Alfred Chester Beatty (1875-1968), mining engineer and art collector<\/p>

Annotations on the inner front cover<\/a> numbering it as his Western MS 128-135 III; his sale at Sotheby's, 7 June 1932, lot 33 and pls 45-46.<\/p>

▪ Alice Millard (1873-1938), antiquarian bookseller<\/p>

Bought by Bernard Quaritch (1819\u20131899), bookseller and publisher, with their number: 637<\/i> within a rectangle on the lower left corner (Catalogue 156 (January 1896), no. 1, and Catalogue 164 (October 1896), no. 8.); perhaps bought on behalf of, or given on consignment to Alice Millard of Pasadena, and patron of Frank Lloyd Wright (1867-1959), architect of the Millard House, also known as La Miniatura. Pencil note on the inner back cover<\/a>: Millard<\/i> | 9-12-32<\/i> | R.A.S.H.<\/i><\/p>

▪ Estelle Doheny (1875-1958), philanthropist and bibliophile<\/p>

Wife of oil tycoon Edward L. Doheny (1856 1935). Her gilt leather label on the inner front cover<\/a> and her pencil acquisition note recording the source, date, and price in code on the inner back cover<\/a>.<\/p>

Sold at Christie\u2019s auction: No. 5, CL 2 December 1987, lot 176.<\/p>

▪ Ladislaus von Hoffmann (1927-2014), financier, philanthropist and collector, founder of the Arcana Foundation<\/p>

Much of his collection, known as the Arcana Collection, one of the leading private collections of medieval and Renaissance illuminated manuscripts was sold by Christie\u2019s in 2010-2011.<\/p>

The third instalment of the Arcana Collection included the Colonna Missal (lot 27), sold at Christie\u2019s on 6 July 2011.<\/p>" }, { "label": "Scribe(s)", "value": "Rochus, Johannes" }, { "label": "Patron(s)", "value": "Colonna, Pompeo, 1479-1532" }, { "label": "Date of Acquisition", "value": "6 July 2011" } ], "@type": "sc:Manifest", "attribution": "Provided by The University of Manchester.

Zooming image © University of Manchester Library, All rights reserved.<\/p> Images made available for download are licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0). 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The Colonna Missal was commissioned by Cardinal Pompeo di Girolamo Colonna (1479-1532) for use in some of the most important masses of the year in the Sistine Chapel, Rome. The manuscript as a whole was unfinished at the time of his death and, the entire manuscript, comprising seven volumes, was finally completed after twenty-three years, in 1555.<\/p>

It contains the Masses of the Octave of the Nativity of Christ (1r-14v<\/a> - missing the first leaf), the Epiphany (15r-42v<\/a> - missing the first leaf), the Purification of the Virgin (43r-69r<\/a>), the Canon of the Mass (70r-96v<\/a> - missing the last leaf), and table of contents - index (97v<\/a>).<\/p>

In July 2011 the Library acquired the \u2018missing\u2019 volume of the Colonna Missal. The purchase reunited all seven extant volumes of the Colonna Missal for the first time in at least 150 years. Its companion six volumes (Latin MSS 32-37) were purchased by Alexander Lindsay, 25th Earl of Crawford, obtained from Thomas Boone in 1868. They were acquired by Enriqueta Rylands in 1901 as part of the landmark purchase of the Crawford manuscripts for The John Rylands Library.<\/p>

The present volume (actually the second in chronological sequence of the Rylands set) became separated from the others at some date before 1868. Lord Crawford turned down the opportunity of purchasing it from Quaritch in 1895. It resided in the United States for much of the twentieth century, owned by a series of private collectors. Most recently it belonged to the owner of the Arcana Collection, Ladislaus von Hoffmann, who consigned it to Christie\u2019s in 2011.<\/p>", "logo": "https://www.digitalcollections.manchester.ac.uk/mirador-ui/uom_logo.png", "@id": "https://www.digitalcollections.manchester.ac.uk/iiif/MS-LATIN-00032-A", "label": "Colonna Missal II (Latin MS 32a)", "sequences": [{ "canvases": [ { "images": [{ "resource": { "@type": "dctypes:Image", "service": { "profile": "http://iiif.io/api/image/2/level1.json", "@id": "https://image.digitalcollections.manchester.ac.uk/iiif/MS-LATIN-00032-A-000-00001.jp2", "@context": "http://iiif.io/api/image/2/context.json" }, "format": "image/jpg", "width": 4810, "@id": "https://image.digitalcollections.manchester.ac.uk/iiif/MS-LATIN-00032-A-000-00001.jp2", "height": 6500 }, "@type": "oa:Annotation", "motivation": "sc:painting", "on": "https://www.digitalcollections.manchester.ac.uk/iiif/MS-LATIN-00032-A/canvas/1" }], "@type": "sc:Canvas", "width": 4810, "@id": 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