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The case (tao 套)<\/a> is covered in blue fabric with floral design and labelled with the title \"居庸關碑六種書地\" (Juyongguan bei liu zhong shu, di).<\/p>"
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"value": " This volume is the second part of a complete transcription of the famous 14th century inscriptions at Juyong Pass (Juyong guan 居庸關) north of Beijing, one of the passes where the Ming would later build their Great Wall. The creation of the original inscription was commissioned in 1342-1345 by the Mongol rulers of China. Buddhist sutras and \u2018Records of Merit\u2019 (related to the construction of this monument) were inscribed inside an enormous vaulted portal. These are written in Chinese, Mongolian (written in the Tibetan-based and Mongol-promoted universal Phagspa alphabet), Sanskrit (written in the Mongol-promoted Lantsa script), Tibetan, Tangut, and Uyghur. The fact that this multilingual masterpiece was restored during the Ming (1440s) and\u2014as manifested by this item\u2014copied in the Qing, suggests that later empires claimed authority over the Mongol heritage and incorporated it into their own tradition.<\/p> Contents<\/b><\/p> The contents are divided into three \"volumes\" (in the sense of separate physical objects). \"Volumes\" 1 and 2 are equivalent to one ben 本 each: each of them is a zhe 摺 (document folded in accordion form). \"Volume\" 3, however, is one tao 套 (case) containing 4 ben in the form of thread-bound volumes<\/a>. Therefore the item contains all six \"parts\" of one set of Juyongguan inscriptions, each of these six \"parts\" (2 accordion-folded, 4 thread-bound) related to one language/script.<\/p> It contains two different text genres which alternate in a specific fashion. Dharanis (Buddhist chants, or longer and more complex mantras) constitute the first text genre, namely, the 'Dharani of the Tathagata Heart' and the 'Dharani of the Victorious Buddha-Crown'. Each dharani text is written in large characters. \u2018Record of Merits in the Construction of the Pagoda\u2019 (in two parts) constitute the second text genre. Each Record of Merit is written in small characters.<\/p> Note that each front cover repeats the \u2018work\u2019 title (Juyongguan bei liu 居庸關碑六種書) and adds one character to specify the volume, namely tian 天, di 地, and ren 人, respectively (literally \u2018Heaven, Earth, People\u2019). These characters are used in the sense of \u2018volume 1, 2, 3\u2019, corresponding to the more regular volume-numbering style shang 上, zhong 中, xia 下 (literally \u2018Above, Middle, Below\u2019).<\/p> Regarding the actual physical structure of the monument, the Sanskrit and Tibetan texts (both read left to right) are placed together along the top of the walls (Sanskrit above and Tibetan below). The Uyghur and Phagspa texts (both read top-to-bottom, running left to right) were placed together on the left side of the walls, and the Chinese and Tangut texts (both read top-to-bottom, running right to left) were placed together on the right side of the walls, with the result that the texts read from the two edges going inwards and meeting in the middle. See the diagram inserted with volume 3<\/a> for the layout of all texts.<\/p> For more information on the construction and history of the physical structure see this Wikipedia entry: Cloud Platform at Juyong Pass<\/a> and 2011 blog post by Andrew West: Cloud Platform at Juyongguan<\/a>.<\/p> Contents (Vol. 2)<\/b><\/p> Two Sanskrit language dharanis written in Tibetan script, alternating with Tibetan language Records of Merit. The text is read from left to right one line at a time. The sheets are bound in reverse so that the cover with title label is at the end of the volume.<\/p> Zooming image © University of Manchester Library, All rights reserved.<\/p> Images made available for download are licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0). Metadata made available for download is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0).",
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"description": " This volume is the second part of a complete transcription of the famous 14th century inscriptions at Juyong Pass (Juyong guan 居庸關) north of Beijing, one of the passes where the Ming would later build their Great Wall. The creation of the original inscription was commissioned in 1342-1345 by the Mongol rulers of China. Buddhist sutras and \u2018Records of Merit\u2019 (related to the construction of this monument) were inscribed inside an enormous vaulted portal. These are written in Chinese, Mongolian (written in the Tibetan-based and Mongol-promoted universal Phagspa alphabet), Sanskrit (written in the Mongol-promoted Lantsa script), Tibetan, Tangut, and Uyghur. The fact that this multilingual masterpiece was restored during the Ming (1440s) and\u2014as manifested by this item\u2014copied in the Qing, suggests that later empires claimed authority over the Mongol heritage and incorporated it into their own tradition.<\/p> Contents<\/b><\/p> The contents are divided into three \"volumes\" (in the sense of separate physical objects). \"Volumes\" 1 and 2 are equivalent to one ben 本 each: each of them is a zhe 摺 (document folded in accordion form). \"Volume\" 3, however, is one tao 套 (case) containing 4 ben in the form of thread-bound volumes<\/a>. Therefore the item contains all six \"parts\" of one set of Juyongguan inscriptions, each of these six \"parts\" (2 accordion-folded, 4 thread-bound) related to one language/script.<\/p> It contains two different text genres which alternate in a specific fashion. Dharanis (Buddhist chants, or longer and more complex mantras) constitute the first text genre, namely, the 'Dharani of the Tathagata Heart' and the 'Dharani of the Victorious Buddha-Crown'. Each dharani text is written in large characters. \u2018Record of Merits in the Construction of the Pagoda\u2019 (in two parts) constitute the second text genre. Each Record of Merit is written in small characters.<\/p> Note that each front cover repeats the \u2018work\u2019 title (Juyongguan bei liu 居庸關碑六種書) and adds one character to specify the volume, namely tian 天, di 地, and ren 人, respectively (literally \u2018Heaven, Earth, People\u2019). These characters are used in the sense of \u2018volume 1, 2, 3\u2019, corresponding to the more regular volume-numbering style shang 上, zhong 中, xia 下 (literally \u2018Above, Middle, Below\u2019).<\/p> Regarding the actual physical structure of the monument, the Sanskrit and Tibetan texts (both read left to right) are placed together along the top of the walls (Sanskrit above and Tibetan below). The Uyghur and Phagspa texts (both read top-to-bottom, running left to right) were placed together on the left side of the walls, and the Chinese and Tangut texts (both read top-to-bottom, running right to left) were placed together on the right side of the walls, with the result that the texts read from the two edges going inwards and meeting in the middle. See the diagram inserted with volume 3<\/a> for the layout of all texts.<\/p> For more information on the construction and history of the physical structure see this Wikipedia entry: Cloud Platform at Juyong Pass<\/a> and 2011 blog post by Andrew West: Cloud Platform at Juyongguan<\/a>.<\/p> Contents (Vol. 2)<\/b><\/p> Two Sanskrit language dharanis written in Tibetan script, alternating with Tibetan language Records of Merit. The text is read from left to right one line at a time. The sheets are bound in reverse so that the cover with title label is at the end of the volume.<\/p>
Juyongguan bei liu zhong shu, tian 居庸關碑六種書天 [Six Scripts of the Juyong Pass Inscription, Vol. 1]<\/a>
Juyongguan bei liu zhong shu, di 居庸關碑六種書地 [Six Scripts of the Juyong Pass Inscription, Vol. 2]<\/a>
Juyongguan bei liu zhong shu, ren 居庸關碑六種書人 [Six Scripts of the Juyong Pass Inscription, Vol. 3]<\/a>
<\/div>
<\/p>
Tibetan language Record (first part)<\/a>
Sanskrit language dharani (second part), written in Tibetan script<\/a>. The fact that a large-character dharani section starts here is further clarified by the Tibetan modifier ༄ (yig mgo, marking the beginning of a new text section). Conversely, the fact that a small-character Record section ends here is clarified by the Tibetan full stop ༎ (don-tshan, marking the end of a text section)
Tibetan language Record (second part)<\/a>
<\/div>
"
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"value": "Purchased by Enriqueta Rylands in 1901 from James Ludovic Lindsay, 26th Earl of Crawford. Bequeathed by Rylands to the John Rylands Library in 1908."
},
{
"label": "Title",
"value": "Juyongguan bei liu zhong shu, di"
},
{
"label": "Funding",
"value": ""
},
{
"label": "Associated Person(s)",
"value": "Crawford, James Ludovic Lindsay, Earl of, 1847-1913"
},
{
"label": "Date of Creation",
"value": "19th century (Qing)"
},
{
"label": "Data Source(s)",
"value": "Description based on Zheng Yaying and John B.W. Deane, Handlist of the Chinese Collections in the John Rylands University Library of Manchester <\/i> (1991), revised and expanded by Johannes S. Lotze, Julianne Simpson and Andrew West."
},
{
"label": "Date of Acquisition",
"value": "1901"
},
{
"label": "Alternative Title(s)",
"value": "居庸關碑六種書地; Translated title: Six Scripts of the Juyong Pass Inscription, Vol. 2; Tathāgata-hṛdaya-dhāraṇī; Rúláixīn Tuóluóní; 如來心陀羅尼; Translated title: Dharani of the Tathagata Heart; Uṣṇīṣa-vijaya-dhāraṇī; Fódǐng Zūnshèng Tuóluóní; 佛頂尊勝陀羅尼; Translated title: Dharani of the Victorious Buddha-Crown; Translated title: Record of Merits in the Construction of the Pagoda"
}
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Juyongguan bei liu zhong shu, tian 居庸關碑六種書天 [Six Scripts of the Juyong Pass Inscription, Vol. 1]<\/a>
Juyongguan bei liu zhong shu, di 居庸關碑六種書地 [Six Scripts of the Juyong Pass Inscription, Vol. 2]<\/a>
Juyongguan bei liu zhong shu, ren 居庸關碑六種書人 [Six Scripts of the Juyong Pass Inscription, Vol. 3]<\/a>
<\/div>
<\/p>
Tibetan language Record (first part)<\/a>
Sanskrit language dharani (second part), written in Tibetan script<\/a>. The fact that a large-character dharani section starts here is further clarified by the Tibetan modifier ༄ (yig mgo, marking the beginning of a new text section). Conversely, the fact that a small-character Record section ends here is clarified by the Tibetan full stop ༎ (don-tshan, marking the end of a text section)
Tibetan language Record (second part)<\/a>
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