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   "value": "<p>A cycle of thirty-eight blocks, of which twenty-six depict scenes from the book of the Antichrist and twelve form the Fifteen Signs of the Last Judgment.<\/p><p>The German version of the 'Antichrist-Bildertext' is a product of an anonymous Bavarian author in the first half of the fifteenth century. The 'Bildertext' encompasses two texts that were originally transmitted independently and concern the time immediately prior to the end of the world: with the life of the Antichrist on the one hand, and the 'Fifteen Signs of the Last Judgment' on the other. The combination of the Antichrist-vita and the 'Fifteen Signs', which is documented in various medial forms in the fifteenth century (manuscript, typographic print, blockbook), may derive from pictorial sheets [Bilderbögen]. These, however, do not survive.<\/p><p>Schreiber's edition I (for distinguishing features of the editions I and II see Schreiber Volume IV, pp. 217-219).<\/p><p>The 'Antichrist-Bildertext' was first circulated as a blockbook around mid-century. Three different editions are known, of which one was produced chiroxylographically, and the other two purely xylographically. This is the first purely xylographic 'Antichrist' edition, consisting of nineteen double leaves, which were printed anopisthographically by frottage. Nineteen wooden blocks were used, in each of which two plates were cut.<\/p><p>Title from incipit of xylographic text.<\/p><p>Title as given in Xylographa Bavaria: Der Antichrist und die füfzen Vorzeichen vor dem Jüngsten Gericht.<\/p><p>Opening of second leaf: Jacob sag seine in sun Dan Was im Kinstig wurde ...<\/p><p>Opening of the Fifteen Signs: Wie und in welches weis und form die fünfezehen Zeichen kamen vor dem Jüngsten tag.<\/p><p>Xylographa Bavarica dates [Southern Germany (Swabia?), ca. 1465-1470].<\/p><p>The xylographic image cycle for the Antichrist is as follows: Leaf 1: 32 lines of introductory text, opening: Hie hebt sich ann von dem Entkrist genomen und geczogen aus vil puchern; Leaf 2: [above] Jacob predicts the future to his son [below] The conception of Antichrist; Leaf 3: [above] The birth of Antichrist [below] The dissoluteness of Antichrist at Bethesda; Leaf 4: [above] The circumcision of Antichrist at Jerusalem [below] The Jews begin to rebuild the Temple of Solomon; Leaf 5: [above] Antichrist learns alchemy [below] Antichrist's voyage from Capernaum to Jerusalem; Leaf 6: [above] The Prophets Elias and Enoch descend from Heaven [below] Elias preaches against Antichrist; Leaf 7: [above] Enoch preaches against Antichrist [below] Antichrist overturns all the laws; Leaf 8: [above] Antichrist preaches a new doctrine [below] Antichrist raises a hurricane; Leaf 9: [above] Antichrist commands the dry trees to flower [below] Antichrist performs all sorts of miracles; Leaf 10: Antichrist marks with a sign the foreheads of the Jews [below] Antichrist sends his apostles over the world; Leaf 11: [above] One of Antichrist's envoys preaches to the King of Egypt [below] One of Antichrist's envoys preaches to the King of Libya; Leaf 12: [above] One of Antichrist's envoys preaches to the King of Ethiopia [below] One of Antichrist's envoys preaches to different tribes; Leaf 13: [above] One of Antichrist's envoys preaches to all of Christendom [below] Gog, Magog and the Queen of the Amazons find the Antichrist; Leaf 14: [above] The arrival of the kings of Egypt, Libya and Ethiopia [below] Antichrist gives gold and silver to his disciples; Leaf 15: [above] Antichrist performs miracles and sorceries [below] The King of Egypt and the King of Ethiopia, with all their people, are marked; Leaf 16: [above] Antichrist resurrects the parents of the King of Libya [below] The King and his people believe in Antichrist; Leaf 17: [above] Antichrist's envoys bring many people over to him [below] Antichrist's envoys bring captive all those who do not believe in him; Leaf 18: [above] Antichrist orders them to be tortured [below] The people try in vain to hide; Leaf 19: [above] Antichrist seated in all his majesty [below] Antichrist orders the Prophets Elias and Enoch to be put to death; Leaf 20: [above] An angel resurrects the Prophets Elias and Enoch [below] Antichrist falls upon the earth as if dead; Leaf 21: [above] Antichrist's resurrection on the third day [below] Antichrist imitating Pentecost makes fire fall from heaven onto his disciples; Leaf 22: Antichrist calls everyone to the Garden of Olives to witness his ascension to Heaven; Leaf 23: Antichrist is killed by angels; Leaf 24: Antichrist is taken by the Devil to Hell; Leaf 25: The followers of Antichrist abandon themselves to carnal pleasures after his death; Leaf 26: Elias and Enoch appear to bring men back to the true path.<\/p><p>The xylographic image cycle for the Fifteen Signs is as follows: Leaf 27: 30 lines of introductory text, opening: Wie und in welches weis und form die fünfezehen Zeichen kamen vor dem Jüngsten tag; Leaf 28: [above] First sign: The sea rises [below] Second sign: The sea disappears; Leaf 29: [above] Third sign: Then inhabitants of the sea raise their voices [below] Fourth sign: The sea and waters are consumed by fire; Leaf 30: [above] Fifth sign: The birds stop eating [below] Sixth sign: The earth shakes and everything falls; Leaf 31: [above] Seventh sign: The houses crumble [below] Eighth sign: Stones jump up and men hide; Leaf 32: [above] Ninth sign: Men lose their speech and animals become tame [below] Tenth sign: The tombs open and dead are raised; Leaf 33: [above] Eleventh sign: Stones fall from the sky [below] Twelfth sign: All men and animals die; Leaf 34: [above] Thirteenth sign: Heaven and earth in flames [below] Fourteenth sign: The earth and the mountains are flattened; Leaf 35: Fifteenth sign: The earth is reborn and the angles announce the Last Judgement by sounding their trumpets; Leaf 36: The Final Judgement; Leaf 37: 38 lines of text, opening: Als vil pucher fagen und funderlich das puch Compendi; Leaf 38: 39 lines of text, opening: und wy gros freud und wollust in das ist.<\/p>"
  },
  {
   "label": "Former Owner(s)",
   "value": "Spencer, George John Spencer, Earl, 1758-1834; Karmelitenkloster (Würzburg, Germany)"
  },
  {
   "label": "Binding",
   "value": "<p>Early nineteenth-century full dark red vertically straight-grained goatskin over thin wooden boards; blind roll and fillets to form an outer border; interlaced double bordered gilt rectangle and lozenge to each cover; gilt zig-zag and annulet roll on turn ins; marbled paper pastedown and endleaves; one blank bound in front and rear; spine direct-lettered in gilt vertically: De nativitate & factis Antichristi Ed. 1 & 2; gilt tool to top and bottom compartments of spine; the marbled paper, turn-ins and style suggest that 9403.1 was bound by the same binder as 9404; nineteenth-century gilt monogram of The John Rylands Library (JR in roundel) stamped on front cover.<\/p>"
  },
  {
   "label": "Acquisition",
   "value": "<p>Part of the library of the Earls Spencer, acquired in 1892 by Enriqueta Rylands from John Poyntz Spencer (1835-1910), 5th Earl Spencer, for The John Rylands Library.<\/p>"
  },
  {
   "label": "Title",
   "value": "Antichrist und Die fünfzehn Zeichen"
  },
  {
   "label": "Funding",
   "value": "Arts and Humanities Research Council (AHRC); Deutsche Forschungsgemeinschaft (DFG)"
  },
  {
   "label": "Project Information",
   "value": "<p>Created as part of the Incunabula Cataloguing Project, funded by the John Rylands Research Institute and Library, and the research project: '\u2018Werck der bücher\u2019 Transitions, experimentation, and collaboration in reprographic technologies, 1440\u20131470', funded by the AHRC/DFG. John Gandy is Project Cataloguer on the Incunabula Cataloguing Project. 'Werck der bücher' is led by Dr Stephen Mossman, Senior Lecturer in Medieval History, Department of History, School of Arts, Languages and Cultures, (SALC), University of Manchester, and Edward Potten, Principal Consultant, Department of History, School of Arts, Languages and Cultures, (SALC), University of Manchester.<\/p>"
  },
  {
   "label": "Publication",
   "value": "Swabia?: publisher not identified"
  },
  {
   "label": "Date of Creation",
   "value": "between 1465 and 1470"
  },
  {
   "label": "Origin Place",
   "value": "Germany, Swabia"
  },
  {
   "label": "Alternative Title(s)",
   "value": "Hie hebt sich ann von dem Entkrist genomen und geczogen aus vil puchern; Hie hebt sich ann von dem Entkrist genomen und geczogen aus vil buchern; Jacob sag seine in sun Dan Was im Kinstig wurde; Wie und in welches weis und form die fünfezehen Zeichen kamen vor dem Jüngsten tag; Antichristus; Endkrist; Blockbook Antichrist; Der Antichrist und die füfzen Vorzeichen vor dem Jüngsten Gericht"
  },
  {
   "label": "Language(s)",
   "value": "German"
  },
  {
   "label": "Physical Location",
   "value": "The John Rylands Research Institute and Library"
  },
  {
   "label": "Extent",
   "value": "38 leaves. Leaf height: 248 mm, width: 157 mm."
  },
  {
   "label": "Additions",
   "value": "<p>Annotations: Fifteenth-century MS on verso of first leaf: Dom Endkrist. Contemporary manuscript signatures to the blank sides of each leaf, beginning at I and running consecutively through to XVIII. Consequently, we can infer that the first leaf was already wanting when this contemporary foliation was added. Nineteenth-century pencil foliation added to the leaves runs from 76-100.<\/p>"
  },
  {
   "label": "Classmark",
   "value": "9403.1"
  },
  {
   "label": "Subject(s)",
   "value": "Wood-engraving--15th century; Christian art and symbolism; Early works to 1800; Antichrist; Antichrist in art; Judgment Day; Judgment Day in art; Block books (Printing)--Germany--15th century; Illustrations (Layout feature)--Germany--Swabia--15th century; Goatskin bindings (Binding)--England--19th century; Gold tooled bindings (Binding)--England--19th century"
  },
  {
   "label": "Physical Description",
   "value": "<p>The individual leaves excised and mounted, within leaves from a different early printed book in which windows have been cut to hold the Antichrist leaves; printed running book numbers from the book used can clearly be seen on some leaves, and some printed signatures. The original manuscript foliation of the incunable used to mount the leaves is present in the top right corner of many leaves, but does not relate to the block book. Leaf sizes differ but most measure with mounts: 284 x 197 mm; without mounts: 248 x 157 mm.<\/p><p>Antichrist only (the Fifteen Signs of the Last Judgment is separately bound at 9404). Imperfect: wanting leaf 1 of the Antichrist. The bottom portion of leaf 2 (The conception of Antichrist) is wanting, torn out. Paper repairs across both volumes (9403 and 9404), occasionally reusing paper which bear fragments of manuscript: on the opening leaf a portion of missing text has been added in manuscript: 'sein totchter ... der sal is '; elsewhere the manuscript has no relation to the text and predates the repair. In the Rylands copy the cuts from the Antichrist are bound in a different order from Xylogr. 1 at the Bayerische Staatsbibliothek: leaves 13 and 14 are reversed in the Rylands copy, but the contemporary foliation suggests that this was the original sequence.<\/p><p>The leaves have not been pasted together.<\/p><p>Rubrication: capital strokes, occasional paragraph marks and red flourishes across both volumes (9403 and 9404).<\/p><p>Hand coloured in green, yellow, pink, brown, black, red, and grey consistently across the two volumes (9403 and 9404).<\/p><p>Occasional variations in wear of the blocks between the Rylands copy and Xylogr. 1 at the Bayerische Staatsbibliothek. Some damage appears consistent (see for example breaks in border, top left on leaf 19 ([above] Antichrist seated in all his majesty [below] Antichrist orders the Prophets Elias and Enoch to be put to death) but some damage appears only on the Rylands impression, perhaps suggesting a later date? See, for example: Leaf 21 ([above] Antichrist's resurrection at the third day [below] Antichrist imitating Pentecost makes fire fall from the heaven onto his disciples) bottom border, which appears complete in Bayerische Staatsbibliothek copy, but broken in Rylands copy.<\/p>"
  },
  {
   "label": "Abstract",
   "value": "<p style='text-align: justify;'>A blockbook Antichrist and the Fifteen Signs.<\/p>"
  },
  {
   "label": "Collection",
   "value": "Block Book Collection"
  },
  {
   "label": "Bibliography",
   "value": "<div style='list-style-type: disc;'><div style='display: list-item; margin-left: 20px;'>Recorded in University of Manchester <a target='_blank' class='externalLink uom-purple' href='https://www.librarysearch.manchester.ac.uk/permalink/44MAN_INST/elks2a/alma9914108154401631'>Library Search<\/a><\/div><div style='display: list-item; margin-left: 20px;'>Dibdin, T.F. Bibliotheca Spenceriana, I, pages xxxi-xxxv (no. 6)<\/div><div style='display: list-item; margin-left: 20px;'>Schreiber, W.L. Handbuch der Holz- und Metallschnitte des XV. Jahrhunderts (3. Aufl.), IV, pages 217-219<\/div><div style='display: list-item; margin-left: 20px;'>Wagner, B. Xylographa Bavarica, AN-01, pages 96-97<\/div><\/div><br />"
  },
  {
   "label": "Format",
   "value": "Codex"
  },
  {
   "label": "Material(s)",
   "value": "Paper"
  },
  {
   "label": "Associated Person(s)",
   "value": "Schmötzer, Alexander, 1748-1815; Maugérard, Jean-Baptiste, 1735-1815; Edwards, James, 1756-1816"
  },
  {
   "label": "Provenance",
   "value": "<p>Probably part of a sammelband which included several books printed by Albrecht Pfister found in the library of the Carmelites at Würzburg by Alexander Schmötzer (1748-1815) in 1792 and offered to Earl Spencer in 1799 by Jean-Baptiste Maugérard (1735-1815); Spencer declined the whole volume, which was subsequently broken up, possibly by James Edwards (1756-1816). Items from this sammelband can be identified as they were all remounted using paper from the same incunable edition. See: T. F. Dibdin, Bibliotheca Spenceriana, vol. 1, p. 103, no. 41; Kristian Jensen, Revolution and the Antiquarian Book (Cambridge: Cambridge University Press, 2014), p. 145 and note 27, p. 254; Richard Linenthal, Monastic Collections and the Nineteenth-Century English Book Trade, in 'How the Secularization of Religious Houses Transformed the Libraries of Europe', C. Dondi, D. Raines, R. Sharpe eds., Bibliologia 63 (Turnhout: Brepols, 2022), pp. 417-428, esp. p. 423. This block book Antichrist was split, probably at the time of remounting, the 26 leaves of the Book of the Antichrist separated from the Fifteen Signs of the Last Judgment. The two portions acquired and accessioned by Spencer separately. The Antichrist is accessioned and bound as 9403.1 (now bound with Antichristus [German] Von dem Entkrist. Add: Die fünfzehn Zeichen vor dem Jüngsten Tag (Strassburg: Printer of the 'Antichristus' (Heinrich Eggestein?), about 1482]) - ISTC ia00767000); the Fifteen Signs was accessioned and bound as 9404.<\/p><p>Oval leather label on front pastedown, gilt-lettered: 'E Bibliotheca Spenceriana'. From the library of George John Spencer, 2nd Earl Spencer (1758-1834).<\/p><p>Armorial bookplate of The John Rylands Library 1894 on front pastedown.<\/p>"
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