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   "value": "<p>The Ars moriendi was designed to illustrate the temptations of and the spiritual comfort to the dying man.<\/p><p>Title from caption at incipit in upper part of border frame on leaf 1 verso.<\/p><p>Main text begins on leaf 1 verso: Quamuis secundu[m] philosophu[m] Tercio ethicorum ...<\/p><p>A cycle of 13 xylographic openings. The first opening contains a preface. The second to twelfth openings with full-page woodcut illustrations on the left and xylographic text on the right; the illustrations depict a sick man in bed facing the diabolic temptations, followed by a counter-scene and argument, showing the Good Angel, Bona Inspiration, and the advantages of faith, patience, and other virtues; the final scene of the final agony depicts the dying man triumphant over temptation and the devils put to rout. The thirteenth opening consists of two additional full-page woodcut illustrations: Christ as Intercessor and The Fall of Man.<\/p><p>Place and date of publication from BN cat. des incun. AA-11.<\/p><p>Xylographa Bavarica gives the place and date of publication as: [Southern Germany], [production of the wooden blocks around 1470-75 (?), printed up to around 1490].<\/p><p>Pierpont Morgan Library attributes to: [Augsburg?, circa 1470]; Huntington Library attributes to: [Germany, approximately 1487-1488].<\/p><p>Schreiber's edition IV C, in Latin. Edition IV is divided into 4 states based upon the presence of framing lines, presence of woodcuts at end, format and method of printing. According to Schreiber, it belongs to the second group of Ars moriendi in which the woodcuts were made in Upper Germany. Edition IV C has the same series of plates as edition B but with an additional two plates, \"Christ as intercessor\" and \"The fall of man\". These are in the style of Augsburg figure books from the period 1470-80.<\/p><p>Illustrations and text printed in a press on 14 sheets of Chancery paper from 26 single-page blocks. Printed in black ink on both sides of the paper, except for leaf 1 which is printed on the verso only and leaf 14 which is printed on the recto only.<\/p><p>Each page within double-line border frame without hatching, except on leaves 5r (single line at right-hand and lower sides), 7r (single line at left-hand side), 7v (single line border), and 8r (single line at upper and lower sides).<\/p><p>Collation: [1\u2078 2\u2076].<\/p><p>Paper format: Chancery folio.<\/p><p>Leaf 1 verso: 30 lines; leaf 13 recto: 31 lines.<\/p><p>Ornamental maiblumen initial at beginning of each page of text (except on leaf 2r).<\/p>"
  },
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   "label": "Former Owner(s)",
   "value": "Spencer, George John Spencer, Earl, 1758-1834"
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   "label": "Binding",
   "value": "<p>Eighteenth-century Dutch[?] full red goatskin over pasteboards; gold-tooled border of a Greek key roll between single fillets and dotted lines, a stamp of intertwined curving lines in the corners; sewn on four recessed supports; spine gold-tooled all over with a repeated small tool of intertwined lines between double fillets; gold square dash roll on board edges; Turkish pattern marbled endpapers; all edges gilt; front and rear fly-leaf with 'J. Honig & Zoonen' watermark, Dutch papermakers of Zaandijk, north of Amsterdam. Late nineteenth-century gold monogram of the John Rylands Library (JR in roundel) stamped on upper cover.<\/p>"
  },
  {
   "label": "Acquisition",
   "value": "<p>Part of the library of the Earls Spencer, acquired in 1892 by Enriqueta Rylands from John Poyntz Spencer (1835-1910), 5th Earl Spencer, for The John Rylands Library.<\/p>"
  },
  {
   "label": "Title",
   "value": "Ars moriendi 'Quamvis secundum philosophum tertio Ethicorum'"
  },
  {
   "label": "Funding",
   "value": "Arts and Humanities Research Council (AHRC); Deutsche Forschungsgemeinschaft (DFG)"
  },
  {
   "label": "Project Information",
   "value": "<p>Created as part of the Incunabula Cataloguing Project, funded by the John Rylands Research Institute and Library, and the research project: '\u2018Werck der bücher\u2019 Transitions, experimentation, and collaboration in reprographic technologies, 1440\u20131470', funded by the AHRC/DFG. John Gandy is Project Cataloguer on the Incunabula Cataloguing Project. 'Werck der bücher' is led by Dr Stephen Mossman, Senior Lecturer in Medieval History, Department of History, School of Arts, Languages and Cultures, (SALC), University of Manchester, and Edward Potten, Principal Consultant, Department of History, School of Arts, Languages and Cultures, (SALC), University of Manchester.<\/p>"
  },
  {
   "label": "Publication",
   "value": "Southern Germany: publisher not identified"
  },
  {
   "label": "Date of Creation",
   "value": "between 1480 and 1485"
  },
  {
   "label": "Origin Place",
   "value": "Germany"
  },
  {
   "label": "Alternative Title(s)",
   "value": "Ars moriendi; Quamuis secundum philosophum Tercio ethicorum"
  },
  {
   "label": "Language(s)",
   "value": "Latin"
  },
  {
   "label": "Physical Location",
   "value": "The John Rylands Research Institute and Library"
  },
  {
   "label": "Extent",
   "value": "14 leaves. Leaf height: 272 mm, width: 204 mm."
  },
  {
   "label": "Additions",
   "value": "<p>Annotations: contemporary[?] manuscript in black ink on the final two woodcut illustrations; on Christ as Intercessor, God (\"Pater\"), Jesus (\"Fillius\") and the Holy Spirit (\"sps\") are marked as the Trinity (\"S[an]ctus Trinitus:\"), and in the upper margin the names of God in Judaism \"Deus: Sadai: Deus Adonai Deus: Alla: Deus Obens:\"; on The Fall of Man, God (\"deus\"), Adam (\"Ada[m]\"), Eve (\"Eua\"), the tree of knowledge (\"Arbor\") and the serpent (\"serpe[n]s\") are annotated.<\/p>"
  },
  {
   "label": "Classmark",
   "value": "16120"
  },
  {
   "label": "Subject(s)",
   "value": "Christian art and symbolism; Early works to 1800; Death; Death in art; Block books (Printing)--Germany--15th century; Illustrations (Layout feature)--Germany--15th century; Annotations (Provenance)--15th century; Goatskin bindings (Binding)--Netherlands--18th century; Gold tooled bindings (Binding)--Netherlands--18th century"
  },
  {
   "label": "Physical Description",
   "value": "<p>Uncoloured.<\/p><p>Watermarks: on leaves 1-2, 4, 6, 14, a cross on three mounts; on leaf 11, an unidentified shape.<\/p>"
  },
  {
   "label": "Abstract",
   "value": "<p style='text-align: justify;'>A blockbook Ars moriendi.<\/p>"
  },
  {
   "label": "Collection",
   "value": "Block Book Collection"
  },
  {
   "label": "Bibliography",
   "value": "<div style='list-style-type: disc;'><div style='display: list-item; margin-left: 20px;'>Recorded in University of Manchester <a target='_blank' class='externalLink uom-purple' href='https://www.librarysearch.manchester.ac.uk/permalink/44MAN_INST/elks2a/alma9914409924401631'>Library Search<\/a><\/div><div style='display: list-item; margin-left: 20px;'>Bibliothèque nationale (France). Catalogue des incunables (CIBN), AA-11<\/div><div style='display: list-item; margin-left: 20px;'>Dibdin, T. F. Bibliotheca Spenceriana, volume I, page xxiv (no. 4*)<\/div><div style='display: list-item; margin-left: 20px;'>Schreiber, W.L. Handbuch der Holz- und Metallschnitte des XV. Jahrhunderts (3. Aufl.), IV, page 262<\/div><div style='display: list-item; margin-left: 20px;'>Wagner, B. Xylographa Bavarica, AM-04, pages 72-84<\/div><\/div><br />"
  },
  {
   "label": "Format",
   "value": "Codex"
  },
  {
   "label": "Material(s)",
   "value": "Paper"
  },
  {
   "label": "Provenance",
   "value": "<p>Oval leather label on front pastedown, gilt-lettered: 'E Bibliotheca Spenceriana'. From the library of George John Spencer, 2nd Earl Spencer (1758-1834).<\/p><p>Thomas Frognall Dibdin's description of this copy in Bibliotheca Spenceriana vol. 1, no. 4*: \"A careful examination of this impression with the account by Heinecken of a copy of the seventh edition of the work, in the Electoral Library at Munich, clearly demonstrates the present to be the same edition. ... The present is a remarkably fair copy, bound in old red morocco. I incline to think this impression to be of a date not earlier than 1480\".<\/p><p>Armorial bookplate of The John Rylands Library 1894 on front pastedown.<\/p>"
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