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First edition, 1st state, without the Dutch title added across the top of the first plate.<\/p>

Title supplied by cataloguer.<\/p>

Printed on one side of bifolium only from a single woodblock on which were carved four scenes (two on the left, two on the right). Printed from eight woodblocks for a total of thirty-two scenes. Printed in grey-brown ink by rubbing. When folded, the woodblock images appear on the verso and recto alternately of the leaves, so that the first page is blank and thereafter every two pages of printed matter are followed by two blank pages, with a single blank page at the end.<\/p>

Place and date of publication from Schreiber.<\/p>

\"Unfortunately all these copies [of the first edition] contain runs of Anchor marks, the most difficult to deal with. These in the Rylands and Munich Xyl 32 are high-shouldered and thin, those at Zürich high-shouldered and large, those in the second Munich copy high-shouldered and medium. They are all from Épinal and date from about 1465\": Allan Stevenson, 'The problem of the blockbooks', in Blockbücher des Mittelalters (Mainz, 1991), p. 250.<\/p>

\"For several reasons I would assign the making of the Canticum canticorum to a Franciscan monastery in that city [i.e. Leuven], with the drawings being made perhaps by Dieric Bouts, apparently another Brother of the Common Life, or possibly by young Hans Memlinc before he went to Bruges\": Allan Stevenson, 'The problem of the blockbooks', p. 261.<\/p>

Text in first caption on first block reads: Osculet[ur] me osculo oris sui q[ui]a meliora sunt vbera tua vino.<\/p>

Collation: [1-8²]: 16 leaves.<\/p>

Paper format: Chancery folio.<\/p>

The text appears on banderoles in each image.<\/p>" }, { "label": "Former Owner(s)", "value": "Spencer, George John Spencer, Earl, 1758-1834" }, { "label": "Binding", "value": "

Early nineteenth-century full brown straight-grain goatskin over pasteboards; gold-tooled border frame of single fillets joined together at the corners; sewn on five supports; five double raised bands; spine gilt in compartments of fillets, direct-lettered 'Historia Virginis Mariæ'; double gilt fillet on board edges and on turn-ins; purple coated paper endpapers; all edges gilt. Late nineteenth-century gilt monogram of the John Rylands Library (JR in roundel) stamped on upper cover.<\/p>" }, { "label": "Acquisition", "value": "

Part of the library of the Earls Spencer, acquired in 1892 by Enriqueta Rylands from John Poyntz Spencer (1835-1910), 5th Earl Spencer, for The John Rylands Library.<\/p>" }, { "label": "Title", "value": "Canticum canticorum" }, { "label": "Funding", "value": "Arts and Humanities Research Council (AHRC); Deutsche Forschungsgemeinschaft (DFG)" }, { "label": "Project Information", "value": "

Created as part of the Incunabula Cataloguing Project, funded by the John Rylands Research Institute and Library, and the research project: '\u2018Werck der bücher\u2019 Transitions, experimentation, and collaboration in reprographic technologies, 1440\u20131470', funded by the AHRC/DFG. John Gandy is Project Cataloguer on the Incunabula Cataloguing Project. 'Werck der bücher' is led by Dr Stephen Mossman, Senior Lecturer in Medieval History, Department of History, School of Arts, Languages and Cultures, (SALC), University of Manchester, and Edward Potten, Principal Consultant, Department of History, School of Arts, Languages and Cultures, (SALC), University of Manchester.<\/p>" }, { "label": "Publication", "value": "The Netherlands: publisher not identified" }, { "label": "Date of Creation", "value": "1465" }, { "label": "Origin Place", "value": "Netherlands" }, { "label": "Alternative Title(s)", "value": "Canticum canticorum; Osculet[ur] me osculo oris sui q[ui]a meliora sunt vbera tua vino; Osculetur me osculo oris sui quia meliora sunt vbera tua vino; Blockbook Canticum canticorum" }, { "label": "Language(s)", "value": "Latin" }, { "label": "Physical Location", "value": "The John Rylands Research Institute and Library" }, { "label": "Extent", "value": "16 leaves. Leaf height: 279 mm, width: 202 mm." }, { "label": "Attributed Name(s)", "value": "Bouts, Dieric, 1415-1475; Memling, Hans, 1430?-1494" }, { "label": "Classmark", "value": "17237" }, { "label": "Subject(s)", "value": "Christian art and symbolism; Early works to 1800; Bible--History of Biblical events; Bible--Picture Bibles; Bible Song of Solomon--Illustrations--Early works to 1800; Block books (Printing)--Netherlands--15th century; Illustrations (Layout feature)--Netherlands--15th century; Goatskin bindings (Binding)--England--19th century; Gold tooled bindings (Binding)--England--19th century" }, { "label": "Physical Description", "value": "

Facing blank pages are pasted together.<\/p>

Horizontal crack through the top-half of the woodcuts on first and final blocks.<\/p>

Anchor watermarks.<\/p>

Uncoloured.<\/p>" }, { "label": "Abstract", "value": "

The Canticum canticorum blockbook illustrates the Christian allegory of divine love derived from the Old Testament book of the Song of Solomon or Song of Songs (Canticum canticorum in the Latin Vulgate). In the Christian tradition, the Bridegroom represents Christ and the Bride represents the individual's soul or the Christian Church.<\/p>" }, { "label": "Collection", "value": "Block Book Collection" }, { "label": "Bibliography", "value": "

Recorded in University of Manchester Library Search<\/a><\/div>
Bibliothèque nationale (France). Catalogue des incunables (CIBN), CC-1, I, pages xvi-xvii<\/div>
Dibdin, T.F. Biblioteca Spenceriana, volume I, pages xxxvi-xliii (no. 6*)<\/div>
Schreiber, W.L. Handbuch der Holz- und Metallschnitte des XV. Jahrhunderts (3. Aufl.), IV, pages 151-152<\/div>
Stevenson, A. The problem of the blockbooks, pages 250-251<\/div>
Wagner, B. Xylographa Bavarica, CC-01, pages 167-169<\/div><\/div>
" }, { "label": "Format", "value": "Codex" }, { "label": "Material(s)", "value": "Paper" }, { "label": "Provenance", "value": "

Oval leather label on front pastedown, gilt-lettered: 'E Bibliotheca Spenceriana'. From the library of George John Spencer, 2nd Earl Spencer (1758-1834).<\/p>

Thomas Frognall Dibidin's description of this copy in Bibliotheca Spenceriana vol. 1, no. 6*: \"After the most careful examination of this very early and curious specimen of the graphic art, I incline strongly to the opinion that it is the production of some metallic substance, and not struck off from wooden blocks. ... Its exact period can hardly be ascertained; but I should think it to be not much later than the date here last assigned [i.e. 1433!]. ... The present copy has had the blank versos of the leaves pasted together; which is obvious from the thickness of each leaf. It is in every respect perfect, and is scarcely soiled\".<\/p>

Armorial bookplate of The John Rylands Library 1894 on front pastedown.<\/p>" } ], "@type": "sc:Manifest", "attribution": "Provided by The University of Manchester.

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