A complete copy of Book Six of the Mas̲navī-i Ma‘navī (Spiritual Couplets) by Jalāl al-Dīn Rūmī (1207–1273), the sixth volume of a set together with Persian MS 250, Persian MS 251, Persian MS 252, Persian MS 253, and Persian MS 254. Since the set bears dedications to Prince Muḥammad Mu‘aẓẓam Bahādur Shāh, son of the Mughal Emperor ‘Ālamgīr I, who later succeeded his father as Shāh ‘Ālam Bahādur I (r. 1707–1712), he likely commissioned it.
Textblock repaired and resewn after suffering significant water and insect damage, at two unsupported stations. Edges trimmed and coloured yellow. Twined chevron endbands worked at head and tail in silver and possibly indigosilk threads, with the one at the head largely abraded.. Rebound with very thin pasteboardsin full, tight-backed smooth goatskin leather, originally maroon-coloured but due to prolonged exposure to moisture now appears a mottled medium-brown, but the original hue remains evident on the left board and the turn-ins. Internal doublures of the same goatskin leather, with the excess width put down as hinges attached to the first and last flyleaves and a strip of paper adhered over top to disguise the join. Earlier flyleaves of thin-weight, cream-coloured, heavily flocked handmade paper, and a comparatively bright, ivory-coloured, medium-weight, sturdy paper, added when restored, both probably handmade in the Indian subcontinent with ~8 laid lines per cm and few discernible chain lines, the latter also added as flyleaves to other volumes in the set when restored.
Boards originally uniformly decorated together with the other volumes in the set, with recessed gilt paper onlays for the central scalloped mandorlas and detached pendants; however, none remain. Remnants of a paper label adhered to spine, with the volume number written in Persian on the right board exterior in gold ink in nasta‘līq script.Binding height: 262 mm, width: 159 mm, depth: 16 mm.
Handle with caution. Very tight opening, only to about 45º. In fair condition, with extensive staining after exposure to prolonged moisture, especially at the spine and tail edge. Upper grain layer abraded in areas. The moisture caused the interior pasteboards to swell and delaminate internally, and forced the boards to bulge and buckle, with the doublure of the left board separating on the fore-edge.Foliation marked at top-right corners of the a sides in pencilled Arabic numerals by the cataloguer.
Previously owned or inspected by Faz̤l Allāh Shāh Muḥammad as per his seal impression on folio 1a in Persian MS 250, the first volume of the set.
Subsequently acquired by indigo merchant Jonathan Harvey Danby (1767–1830), of Honiton, Devon, who constructed a large factory in Shikarpur, Nadia District (now in West Bengal) in circa 1790 to 1795 (this firm later evolved into Messrs. Robert Watson & Co., the preeminent Victorian-era subcontinental dyeworks), as per his name imprinted at the top of folio 1b, albeit blackened out by a later owner.
Later obtained by Sir Gore Ouseley (1770–1844) as per his clipped signature and an unsigned inscription underneath identifying him on the first volume, Persian MS 250, fifth right flyleaf b side (f. vb).
Subsequently acquired by Persian scholar Nathaniel Bland (1803–1865), after whose death London antiquarian dealer Bernard Quaritch (1819–1899) sold his oriental manuscripts to Alexander Lindsay, 25th Earl of Crawford (1812–1880) in 1866.
Purchased by Enriqueta Rylands (1843–1908) in 1901 from James Ludovic Lindsay, 26th Earl of Crawford (1847–1913).
Bequeathed by Enriqueta Rylands (1843–1908) in 1908 to the John Rylands Library.
Bibliographical description based on an index created by Reza Navabpour circa 1993, derived from a manuscript catalogue by Michael Kerney, circa 1890s and his Bibliotheca Lindesiana, Hand-list of Oriental Manuscripts: Arabic, Persian, Turkish, 1898.
Manuscript description by Jake Benson in 2021 with reference to the volume, in consultation with Prof Mahmood Alam (English and Foreign Languages University, Hyderabad) regarding the colophon and scribe.
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Textblock repaired and resewn after suffering significant water and insect damage, at two unsupported stations. Edges trimmed and coloured yellow. Twined chevron endbands worked at head and tail in silver and possibly indigosilk threads, with the one at the head largely abraded.. Rebound with very thin pasteboardsin full, tight-backed smooth goatskin leather, originally maroon-coloured but due to prolonged exposure to moisture now appears a mottled medium-brown, but the original hue remains evident on the left board and the turn-ins. Internal doublures of the same goatskin leather, with the excess width put down as hinges attached to the first and last flyleaves and a strip of paper adhered over top to disguise the join. Earlier flyleaves of thin-weight, cream-coloured, heavily flocked handmade paper, and a comparatively bright, ivory-coloured, medium-weight, sturdy paper, added when restored, both probably handmade in the Indian subcontinent with ~8 laid lines per cm and few discernible chain lines, the latter also added as flyleaves to other volumes in the set when restored.
Boards originally uniformly decorated together with the other volumes in the set, with recessed gilt paper onlays for the central scalloped mandorlas and detached pendants; however, none remain. Remnants of a paper label adhered to spine, with the volume number written in Persian on the right board exterior in gold ink in nasta‘līq script.Binding height: 262 mm, width: 159 mm, depth: 16 mm.
Handle with caution. Very tight opening, only to about 45º. In fair condition, with extensive staining after exposure to prolonged moisture, especially at the spine and tail edge. Upper grain layer abraded in areas. The moisture caused the interior pasteboards to swell and delaminate internally, and forced the boards to bulge and buckle, with the doublure of the left board separating on the fore-edge.Foliation marked at top-right corners of the a sides in pencilled Arabic numerals by the cataloguer.
Previously owned or inspected by Faz̤l Allāh Shāh Muḥammad as per his seal impression on folio 1a in Persian MS 250, the first volume of the set.
Subsequently acquired by indigo merchant Jonathan Harvey Danby (1767–1830), of Honiton, Devon, who constructed a large factory in Shikarpur, Nadia District (now in West Bengal) in circa 1790 to 1795 (this firm later evolved into Messrs. Robert Watson & Co., the preeminent Victorian-era subcontinental dyeworks), as per his name imprinted at the top of folio 1b, albeit blackened out by a later owner.
Later obtained by Sir Gore Ouseley (1770–1844) as per his clipped signature and an unsigned inscription underneath identifying him on the first volume, Persian MS 250, fifth right flyleaf b side (f. vb).
Subsequently acquired by Persian scholar Nathaniel Bland (1803–1865), after whose death London antiquarian dealer Bernard Quaritch (1819–1899) sold his oriental manuscripts to Alexander Lindsay, 25th Earl of Crawford (1812–1880) in 1866.
Purchased by Enriqueta Rylands (1843–1908) in 1901 from James Ludovic Lindsay, 26th Earl of Crawford (1847–1913).
Bequeathed by Enriqueta Rylands (1843–1908) in 1908 to the John Rylands Library.
Bibliographical description based on an index created by Reza Navabpour circa 1993, derived from a manuscript catalogue by Michael Kerney, circa 1890s and his Bibliotheca Lindesiana, Hand-list of Oriental Manuscripts: Arabic, Persian, Turkish, 1898.
Manuscript description by Jake Benson in 2021 with reference to the volume, in consultation with Prof Mahmood Alam (English and Foreign Languages University, Hyderabad) regarding the colophon and scribe.